Music On The Wind: Selected Pieces 1983-2003 (Celtic Harp)
Download links and information about Music On The Wind: Selected Pieces 1983-2003 (Celtic Harp) by Patrick Ball. This album was released in 2003 and it belongs to New Age, World Music, Celtic genres. It contains 22 tracks with total duration of 01:19:17 minutes.
Artist: | Patrick Ball |
---|---|
Release date: | 2003 |
Genre: | New Age, World Music, Celtic |
Tracks: | 22 |
Duration: | 01:19:17 |
Buy it NOW at: | |
Buy on iTunes $9.99 | |
Buy on Amazon $8.99 |
Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | The Butterfly | 2:57 |
2. | La valse pour les petites jeunes filles | 2:36 |
3. | Blind Mary | 3:39 |
4. | Rory Dall's Sister's Lament | 4:03 |
5. | Bobby Casey's | 3:44 |
6. | The Foggy Dew | 3:44 |
7. | Carolan's Quarrel With the Landlady | 2:33 |
8. | Coilsfield House | 3:38 |
9. | Mabel Kelly | 4:28 |
10. | Castle Kelly | 4:00 |
11. | Carolan's Dream | 4:13 |
12. | Eleanor Plunkett (featuring Trulough O'Carolan) | 4:03 |
13. | Carolan's Draught (featuring Trulough O'Carolan) | 2:58 |
14. | May Morning Dew/Morrison's Jig | 5:19 |
15. | Black Is the Color of My True Love's Hair | 2:39 |
16. | Squire Wood's Lamentation | 3:32 |
17. | Morgan Magan | 3:42 |
18. | The Twisting of the Rope | 2:32 |
19. | Sheebeg Sheemore | 3:08 |
20. | Carolan's Cup | 3:40 |
21. | Carolan's Farewell to Music | 4:59 |
22. | Auld Lang Syne | 3:10 |
Details
[Edit]Patrick Ball has a reputation as a new age player, but he's so much more as this career retrospective covering 20 years shows. He's an outstanding interpreter of the work of the great Irish harpist and composer O'Carolan, playing the work with a deftness and sensitivity that brings out both the lyricism and the rhythm in the music. But he's equally at home with traditional music, such as his version of Burns' "Auld Lang Syne" (which by now must be considered traditional), or "Black Is the Color of My True Love's Hair." While there's a preponderance of Irish pieces here (and specifically O'Carolan), that's understandable, given Ball's love of the Emerald Isle. And, frankly, he's as good and incisive as any Irish harper, with a gorgeous tone and wonderful feel. When he's reflective, there's a breathtaking solemnity in the music, and his technique is assured throughout, with wonderful, clear fingering. It may be that you don't need all of Ball's work, unless you're a harp junkie. But this is definitely essential — not just for Ball, but for Irish music.