Molloy, Brady, Peoples
Download links and information about Molloy, Brady, Peoples by Paul Brady, Matt Molloy, Tommy Peoples. This album was released in 1985 and it belongs to World Music, Celtic genres. It contains 15 tracks with total duration of 35:57 minutes.
Artist: | Paul Brady, Matt Molloy, Tommy Peoples |
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Release date: | 1985 |
Genre: | World Music, Celtic |
Tracks: | 15 |
Duration: | 35:57 |
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Tracks
[Edit]No. | Title | Length |
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1. | Matt Peoples (Reels) | 1:40 |
2. | The Creel of Turf / Tom Billys (Jigs) | 2:58 |
3. | The Crosses of Annagh / McFaddens Handsome Daughter (Reels) | 2:16 |
4. | The Newport Lass / The Rambling Pitchfork (Jigs) | 2:54 |
5. | Shamrock Shore (Song) | 4:09 |
6. | Munster Buttermilk / The Connachtman's Rambles (Jigs) | 2:20 |
7. | Speed the Plough / Toss the Feathers (Reels) | 1:53 |
8. | The Limerick Lass / The Foxhunters (Reels) | 2:09 |
9. | Mick Finns / The Blachthorn (Reels) | 1:55 |
10. | Fergal O'Gara / The Cloon (Reels) | 2:11 |
11. | Mulqueeny's / Out In the Ocean (Hornpipe, Jig) | 2:56 |
12. | The Rainy Day / The Grand Canal (Reels) | 2:40 |
13. | The Scotsman Over the Border / The Killavil (Jigs) | 1:54 |
14. | John Brennans (Silver Spire) / Drag Her Round the Road [Reels] | 1:56 |
15. | The Graf Spee (Reel) | 2:06 |
Details
[Edit]This album is something of a summit meeting between two major powers in Irish music — fiddler Tommy Peoples and flutist Matt Molloy, both veterans of the legendary Bothy Band and world-class instrumentalists. Guitarist Paul Brady plays a supporting role, though he steps out front to sing, beautifully, on the bitter "Shamrock Shore." Throughout most of the album, Molloy and Peoples take turns leading the trio through sets of traditional jigs and reels. Interestingly, the program includes a few session standards ("Speed the Plough," "Toss the Feathers," "The Connachtman's Rambles") but consists primarily of more obscure tunes. Molloy solos on a set of reels consisting of "The Crosses of Annagh" and "McFadden's Handsome Daughter" and delivers them with his trademark offhanded eloquence; Peoples shows off his sharp, astringent attack to perfect effect on "The Newport Lass" and "The Rambling Pitchfork." (Yes, "The Rambling Pitchfork." Don't ask where these tune names come from.) Inconsistent production quality is a minor annoyance throughout — some tracks sound distant, cramped and monophonic, others sound close and dry. But it's only as minor annoyance.