Paul Robeson Sings 'Ol' Man River'
Download links and information about Paul Robeson Sings 'Ol' Man River' by Paul Robeson. This album was released in 1972 and it belongs to Gospel, Pop genres. It contains 20 tracks with total duration of 01:01:06 minutes.
Artist: | Paul Robeson |
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Release date: | 1972 |
Genre: | Gospel, Pop |
Tracks: | 20 |
Duration: | 01:01:06 |
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Tracks
[Edit]No. | Title | Length |
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1. | Ol' Man River (from Show Boat) (1985 Digital Remaster) | 3:54 |
2. | Roll Away Clouds (1985 Digital Remaster) | 3:10 |
3. | The Lonesome Road (1985 Digital Remaster) | 2:43 |
4. | Got The South In My Soul (1985 Digital Remaster) | 2:59 |
5. | Hush A Bye, Lullaby (1985 Digital Remaster) | 3:14 |
6. | Round the Bend of the Road (1985 Digital Remaster) | 2:52 |
7. | Carry Me Back To Green Pastures (1985 Digital Remaster) | 2:52 |
8. | Blue Prelude (1985 Digital Remaster) | 2:46 |
9. | Wagon Wheels (1985 Digital Remaster) | 3:22 |
10. | So Shy (1985 Digital Remaster) | 3:19 |
11. | St. Louis Blues (1985 Digital Remaster) | 3:28 |
12. | Little Man You've Had A Busy Day (1985 Digital Remaster) | 3:14 |
13. | I Ain't Lazy, I'm Just Dreaming (1985 Digital Remaster) | 2:45 |
14. | Shenandoah (1985 Digital Remaster) | 3:13 |
15. | All Through The Night (1985 Digital Remaster) | 3:19 |
16. | Solitude (1985 Digital Remaster) | 3:30 |
17. | Song of the Volga Boatmen (1985 Digital Remaster) | 2:44 |
18. | Dear Old Southland (1985 Digital Remaster) | 2:53 |
19. | Nothin' (1985 Digital Remaster) | 2:21 |
20. | A Perfect Day (1985 Digital Remaster) | 2:28 |
Details
[Edit]Unlike many Paul Robeson collections of recordings that have been licensed or otherwise obtained and reissued by small labels, this one comes from EMI and purports to be "a collection of his greatest hits." That isn't strictly true, if only because Robeson had few "hits" in the accepted sense, but the 20-track, hour-long album is a good sampler of Robeson's studio recordings made between 1928 and 1939, starting with his signature song, "Ol' Man River." After an earlier association with Victor Records in the U.S., Robeson lived in England and recorded for EMI during this period, and the label gave him supportive symphonic arrangements of traditional material and songs crafted to resemble the spirituals the singer favored. This album is sparsely annotated, and the sound is full of hiss and crackles that later sound technology could remove. But as an accessible, well-chosen compilation of Robeson's best, it earns high marks.