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Bush Doctor

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Download links and information about Bush Doctor by Peter Tosh. This album was released in 1978 and it belongs to Rock, Reggae, Roots Reggae genres. It contains 15 tracks with total duration of 01:13:29 minutes.

Artist: Peter Tosh
Release date: 1978
Genre: Rock, Reggae, Roots Reggae
Tracks: 15
Duration: 01:13:29
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Tracks

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No. Title Length
1. (You Gotta Walk) Don't Look Back [2002 Remaster] 5:20
2. Pick Myself Up (2002 Remaster) 4:02
3. I'm the Toughest (2002 Remaster) 3:57
4. Soon Come (2002 Remaster) 3:59
5. Moses - The Prophet (2002 Remaster) 3:39
6. Bush Doctor (2002 Remaster) 4:08
7. Stand Firm (2002 Remaster) 6:12
8. Dem Ha Fe Get a Beatin (2002 Remaster) 4:15
9. Creation (2002 Remaster) 6:35
10. Lesson In My Life (Outtake) 5:36
11. Soon Come (Long Version) [2002 Remaster] 5:19
12. I'm the Toughest (Long Version) [2002 Remaster] 5:12
13. Bush Doctor (Long Version) [2002 Remaster] 5:44
14. (You Gotta Walk) Don't Look Back [Long Version] [2002 Remaster] 5:01
15. Tough Rock, Soft Stones 4:30

Details

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As the debut album on the Rolling Stone label in 1978, Bush Doctor benefited immensely from the involvement of Jagger and Richards, as well as the publicity inherent in the high-profile nature of the release. Thankfully, Tosh was up to the challenge, and although there are moments that are less roots than anything he had previously recorded, Bush Doctor is no slick sellout. It's bolstered by his incredible Word Sound & Power band featuring the legendary Sly & Robbie rhythm section along with lead guitarists Mikey "Mao" Chung and Donald Kinsey (fresh from his stint with Marley). Although the cover of the Temptations' "(You Gotta Walk) Don't Look Back" single featuring Jagger's duet with Tosh seemed like an obvious ploy at crossover radio play, the rest is more roots conscious, and only slightly less compelling than some of ex-bandmate Bob Marley's work. The horns on "Moses — The Prophet" seem like sweetening, but the title track, "I'm the Toughest," "Stand Firm," and a remake of an old Wailers' track "Dem Ha Fe Get a Beatin," complete with I-Threes-style backing vocals, are some of Tosh's best songs. Only the original album's closing track, an ambitious but overwrought retelling of Genesis with Handel's "Messiah," is a major misstep. Yet even here, Tosh is pushing boundaries, adding bird and thunder sound effects to his soft guitar strumming accompaniment. It's interesting but few will want to hear it more than once.