Today Is a Special Day
Download links and information about Today Is a Special Day by Robbie Kuster, Philippe Lauzier. This album was released in 2006 and it belongs to Jazz, Pop, Alternative genres. It contains 11 tracks with total duration of 49:26 minutes.
Artist: | Robbie Kuster, Philippe Lauzier |
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Release date: | 2006 |
Genre: | Jazz, Pop, Alternative |
Tracks: | 11 |
Duration: | 49:26 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Tanz | 1:59 |
2. | Les cloches | 6:21 |
3. | Illégalité | 3:38 |
4. | Broken Glass | 9:13 |
5. | Mélodie pentatonique | 3:10 |
6. | Histoire du mendiant | 4:57 |
7. | Porte des lilas | 5:22 |
8. | Petite colline | 5:30 |
9. | Bulgarian Rhythm | 3:22 |
10. | The Cocoon | 3:23 |
11. | Ivresse | 2:31 |
Details
[Edit]Ambiances Magnétiques has been playing the talent scouts since 2002 or so, and that strategy is starting to pay off, with young musicians like Antoine Berthiaume, Pierre-Yves Martel, and Philippe Lauzier all releasing new albums in May and June 2006. This is Lauzier's second release for the Montreal label — the reedsman is the founder of Ensemble en Pièces, whose Jardin d'Exil CD inaugurated the Ambiances Magnétiques Jazz collection back in 2004. Bassist Miles Perkin is one of Thom Gossage's regular sidemen and he has performed in Tom Walsh's NOMA (although not on the group's Ambiances Magnétiques release; this is his first appearance on the label). Drummer Robbie Kuster also comes from Montreal's left-field (yet more conventional) jazz scene, with involvement in several projects led by Patrick Watson and Yannick Rieu to his credit. Recorded over two days in December 2005, Today Is a Special Day offers 11 pieces, most of them written by Lauzier (Perkin contributes two, and there are two quirky readings of Béla Bartók tunes). Lauzier's compositions are usually playful, with an occasional tender side ("Histoire du Mendiant," featuring his seductive bass clarinet tone). The music stems from post-bop influences, with an obvious filiation with Jean Derome's lighter side, although the trio's music doesn't have the latter's angular feel. And how couldn't listeners think of Steve Lacy when listening to "The Cocoon," with that graceful, slightly mischievous soprano sax leading the way. Perkin and Kuster form a supple rhythm section, adept at both free-flowing jazz and trashier jazz-rock ("Ivresse," ending the album with a bang). Don't pass this album because you don't know these cats yet, especially if you've been longing for a new Jean Derome et les Dangereux Zhoms album — not that the Lauzier/Perkin/Kuster trio emulates that band, but one finds in their music the same kind of intelligence, soul, and joie de vivre. ~ François Couture, Rovi