Everything She Touched Turned Ampexian
Download links and information about Everything She Touched Turned Ampexian by Prefuse 73. This album was released in 2009 and it belongs to Ambient, Electronica, Techno, Industrial, Hip Hop/R&B, Rap, Dancefloor, Dance Pop genres. It contains 29 tracks with total duration of 48:24 minutes.
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| Artist: | Prefuse 73 |
| Release date: | 2009 |
| Genre: | Ambient, Electronica, Techno, Industrial, Hip Hop/R&B, Rap, Dancefloor, Dance Pop |
| Tracks: | 29 |
| Duration: | 48:24 |
| Buy it NOW at: | |
| Buy on iTunes $5.99 | |
| Buy on Amazon $9.49 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Periodic Measurements of Infrequent Smiles | 0:51 |
| 2. | Hairy Faces (Stress) | 0:36 |
| 3. | Parachute Panador | 1:03 |
| 4. | NoNo | 0:13 |
| 5. | Punish | 1:19 |
| 6. | Half Up Front | 0:36 |
| 7. | Sexual Fantasy Scale | 0:44 |
| 8. | DEC. Machine Funk All ERA's | 3:47 |
| 9. | Get Em High | 0:47 |
| 10. | Ampexian Tribe of a Lesser Time | 1:00 |
| 11. | When Is a Good Time? | 0:46 |
| 12. | Fountains of Spring | 1:25 |
| 13. | Whipcream Eyepatch | 1:11 |
| 14. | Regalo | 3:41 |
| 15. | Rubber Stems | 0:39 |
| 16. | Oh Is It | 0:37 |
| 17. | Four Reels Collide | 2:47 |
| 18. | Fringertip Trajectories | 0:40 |
| 19. | Violent Bathroom Exchange | 1:35 |
| 20. | Natures Uplifting Revenge | 1:59 |
| 21. | Yuletide | 1:29 |
| 22. | Simple Loop Choir | 3:18 |
| 23. | No Lights Still Rock (feat. Dimlite) | 3:36 |
| 24. | Gaslamp Killer Feedback Text | 0:52 |
| 25. | Digan Lo | 4:16 |
| 26. | Preperation's Kids Choir | 2:40 |
| 27. | Pitch Pipe | 1:19 |
| 28. | Periodic Measurements of Infrequent Frowns | 0:36 |
| 29. | Formal Dedications | 4:02 |
Details
[Edit]Guillermo Herren’s (a.k.a. Prefuse 73) 2009 release, Everything She Touched Turned Ampexian, feels more like a casual road trip than a grand journey. For those familiar with earlier Prefuse 73 albums, Ampexian bears a number of familiar signposts, one of which is the voice of Claudia Deheza of School of Seven Bells. As in the past, her easy-to-recognize and easy-to-like vocals are a welcome addition to Herren’s hip-hop rooted electronica. Lately, Herren has added prog-rock to the genres he skillfully incorporates into his music. “No Lights Still Rock” matches funky beats and atonal keyboards before it finds a sound that evokes Frank Zappa and the Mothers of Invention circa 1969’s Uncle Meat. The next track, “Gaslamp Killer Feedback Text” chugs like dub reggae, while one passage in “Punish” features eerie strings. “Regalo” sports wordless vocals and a shivering rhythm, and “Simple Loop Choir” creates an alluringly floaty ambience. Ultimately, Herren is liable to absorb and transform just about anything into his inviting sound and flow.