50th Anniversary Collection
Download links and information about 50th Anniversary Collection by Preservation Hall Jazz Band. This album was released in 2012 and it belongs to Jazz genres. It contains 58 tracks with total duration of 04:36:56 minutes.
Artist: | Preservation Hall Jazz Band |
---|---|
Release date: | 2012 |
Genre: | Jazz |
Tracks: | 58 |
Duration: | 04:36:56 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Band Introduction | 1:03 |
2. | Eh La Bas | 3:33 |
3. | Oh Didn't He Ramble (Voice) | 4:57 |
4. | I Get the Blues When It Rains | 5:25 |
5. | St. James Infirmary (King Britt Remix) | 3:18 |
6. | Ice Cream | 4:45 |
7. | In the Evening (When the Sun Goes Down) | 3:50 |
8. | Down By the Riverside | 2:54 |
9. | Corinna, Corinna | 5:13 |
10. | I'm Alone Because I Love You | 5:45 |
11. | El Manicero | 4:06 |
12. | Do Lord (Voice) | 5:13 |
13. | St. James Infirmary | 3:15 |
14. | Just a Little While to Stay Here (Instrumental) | 7:24 |
15. | Complicated Life | 3:44 |
16. | We Shall Overcome | 4:07 |
17. | His Eye Is On the Sparrow | 6:11 |
18. | Shake It and Break it | 3:11 |
19. | Nellie Grey | 3:14 |
20. | When the Saints Go Marchin' In (Voice) (featuring Percy Humphrey) | 8:05 |
21. | Little Liza Jane | 5:54 |
22. | You Don't Love Me (Voice) | 7:06 |
23. | In the Sweet Bye and Bye | 2:38 |
24. | I'll Fly Away (featuring The Del McCoury Band) | 5:36 |
25. | That Bucket's Got a Hole In It | 6:08 |
26. | Love Song of the Nile | 4:09 |
27. | Blue Yodel #9 | 3:00 |
28. | Shine | 3:51 |
29. | Burgundy Street Blues | 4:16 |
30. | I Want a Little Girl | 7:33 |
31. | Chimes Blues | 5:51 |
32. | Whenever You're Lonesome | 6:36 |
33. | Lord, Lord, Lord, You Sure Been Good to Me (Voice) | 2:47 |
34. | Sing On (Instrumental) | 7:30 |
35. | Joe Avery (Instrumental) | 6:45 |
36. | Louisiana Fairytale | 3:08 |
37. | Shake That Thing | 6:30 |
38. | Short Dressed Gal | 2:39 |
39. | Freight Train Moanin' Blues | 5:38 |
40. | Over In the Gloryland | 6:23 |
41. | A Good Man Is Hard to Find | 4:52 |
42. | Nobody Knows the Way I Feel This Morning (featuring George Lewis) | 4:38 |
43. | I Ain't Got Nobody (Voice) | 5:23 |
44. | Amen (Instrumental) | 3:21 |
45. | Tootie Ma Is a Big Fine Thing | 4:16 |
46. | Bourbon Street Parade (Voice) | 7:36 |
47. | I'm Confessin' (That I Love You) | 4:22 |
48. | Le Petit Fleur | 4:44 |
49. | One More 'Fore I Die (featuring The Del McCoury Band) | 3:51 |
50. | Shake It and Break It (Voice) | 4:47 |
51. | C.C. Rider | 2:41 |
52. | That's a Plenty | 5:33 |
53. | Westlawn Dirge | 4:59 |
54. | Who Threw the Whiskey In the Well | 6:41 |
55. | Peanut Vendor | 3:35 |
56. | Trouble In Mind | 4:12 |
57. | A Good Gal Is Hard to Find (A Good Man Is Hard to Find) (featuring The Del McCoury Band) | 4:18 |
58. | Precious Lord | 3:56 |
Details
[Edit]Founded in 1961 as a sort of loose institution where overlooked and often underappreciated New Orleans jazz musicians could gain wider exposure while simultaneously preserving the traditions of their unique music and culture, Preservation Hall has grown into an internationally celebrated establishment, with each generation of draftees playing in a constantly revolving in-house ensemble. Produced by Hall bassist Ben Jaffe (whose parents Allan and Sandra Jaffe helped co-found and manage the Hall) along with Michael Cuscuna, the Preservation Hall's 2012 four-disc anthology The 50th Anniversary Collection compiles tracks recorded by the Hall's inductees from the 1960s to the 2010s. Included are live and studio tracks from each of the Hall's various lineups, featuring such legendary artists as George Lewis, Billie and De De Pierce, Harold "Duke" Dejan, Percy and Willie Humphrey, Narvin Kimball, John and Wendell Brunious, and many others. Also featured are various recordings the more contemporary lineups made, featuring such guest artists as Tom Waits, Pete Seeger, the Del McCoury Band, and Richie Havens. There is also a 60-page booklet featuring photos and liner notes that, combined with the extensive and well-curated track selection, works to showcase not only how successful the Hall was at shining a light on authentic, rough, and honest New Orleans jazz, but also how, in more recent years, the group evolved into a creatively vital and stylistically nuanced ensemble, where musicians from all areas of post-jazz music, from bop to pop, bluegrass to blues, can find common ground in the fertile soil of the rhythms, melodies, and harmonies of New Orleans jazz. This is a loving, intimate, and joyful collection that details what makes the Preservation Hall Jazz Band such a valued and widely celebrated group both in New Orleans and on tour around the world.