It Takes a Nation of Millions To Hold Us Back (Deluxe Edition)
Download links and information about It Takes a Nation of Millions To Hold Us Back (Deluxe Edition) by Public Enemy. This album was released in 1988 and it belongs to Hip Hop/R&B, Rap genres. It contains 29 tracks with total duration of 01:42:52 minutes.
Artist: | Public Enemy |
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Release date: | 1988 |
Genre: | Hip Hop/R&B, Rap |
Tracks: | 29 |
Duration: | 01:42:52 |
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Tracks
[Edit]No. | Title | Length |
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1. | Countdown To Armageddon | 1:40 |
2. | Bring the Noise | 3:46 |
3. | Don't Believe the Hype | 5:19 |
4. | Cold Lampin' With Flavor | 4:17 |
5. | Terminator X To the Edge of Panic | 4:31 |
6. | Mind Terrorist | 1:21 |
7. | Louder Than a Bomb | 3:37 |
8. | Caught, Can We Get a Witness? | 4:53 |
9. | Show 'Em Whatcha Got | 1:56 |
10. | She Watch Channel Zero?! | 3:49 |
11. | Night of the Living Baseheads | 3:14 |
12. | Black Steel In the Hour of Chaos | 6:23 |
13. | Security of the First World | 1:20 |
14. | Rebel Without a Pause | 5:02 |
15. | Prophets of Rage | 3:18 |
16. | Party For Your Right To Fight | 3:25 |
17. | Bring the Noise (No Noise Version) | 3:46 |
18. | Bring the Noise (No Noise Instrumental) | 4:23 |
19. | Bring the Noise (No Noise A Cappella) | 1:31 |
20. | Rebel Without a Pause (Instrumental) | 4:22 |
21. | Night of the Living Baseheads (Anti-High Blood Pressure Encounter Mix) | 5:01 |
22. | Night of the Living Baseheads (Terminator X Meets DST And Chuck Chill Out Instrumental Mix) | 2:55 |
23. | The Edge of Panic | 3:00 |
24. | The Rhythm, The Rebel (A Cappella) | 1:11 |
25. | Prophets of Rage (Power Version) | 3:20 |
26. | Caught, Can We Get a Witness? (Pre Black Steel Ballistic Felony Dub) | 5:05 |
27. | B Side Wins Again | 3:48 |
28. | Black Steel In the Hour of Chaos (Instrumental) | 1:16 |
29. | Fight the Power (Do The Right Thing/Soundtrack Version) | 5:23 |
Details
[Edit]Yo! Bum Rush the Show was an invigorating record, but it looks like child's play compared to its monumental sequel, It Takes a Nation of Millions to Hold Us Back, a record that rewrote the rules of what hip-hop could do. That's not to say the album is without precedent, since what's particularly ingenious about the album is how it reconfigures things that came before into a startling, fresh, modern sound. Public Enemy used the template Run-D.M.C. created of a rap crew as a rock band, then brought in elements of free jazz, hard funk, even musique concrète, via their producing team, the Bomb Squad, creating a dense, ferocious sound unlike anything that came before. This coincided with a breakthrough in Chuck D's writing, both in his themes and lyrics. It's not that Chuck D was smarter or more ambitious than his contemporaries — certainly, KRS-One tackled many similar sociopolitical tracts, while Rakim had a greater flow — but he marshaled considerable revolutionary force, clear vision, and a boundless vocabulary to create galvanizing, logical arguments that were undeniable in their strength. They only gained strength from Flavor Flav's frenzied jokes, which provided a needed contrast. What's amazing is how the words and music become intertwined, gaining strength from each other. Though this music is certainly a representation of its time, it hasn't dated at all. It set a standard that few could touch then, and even fewer have attempted to meet since. [A Deluxe CD/DVD set was released in 2014.]