Create account Log in

It Takes a Nation of Millions To Hold Us Back (Deluxe Edition)

[Edit]

Download links and information about It Takes a Nation of Millions To Hold Us Back (Deluxe Edition) by Public Enemy. This album was released in 1988 and it belongs to Hip Hop/R&B, Rap genres. It contains 29 tracks with total duration of 01:42:52 minutes.

Artist: Public Enemy
Release date: 1988
Genre: Hip Hop/R&B, Rap
Tracks: 29
Duration: 01:42:52
Buy on iTunes $14.99
Buy on Amazon $14.49
Buy on iTunes $14.99

Tracks

[Edit]
No. Title Length
1. Countdown To Armageddon 1:40
2. Bring the Noise 3:46
3. Don't Believe the Hype 5:19
4. Cold Lampin' With Flavor 4:17
5. Terminator X To the Edge of Panic 4:31
6. Mind Terrorist 1:21
7. Louder Than a Bomb 3:37
8. Caught, Can We Get a Witness? 4:53
9. Show 'Em Whatcha Got 1:56
10. She Watch Channel Zero?! 3:49
11. Night of the Living Baseheads 3:14
12. Black Steel In the Hour of Chaos 6:23
13. Security of the First World 1:20
14. Rebel Without a Pause 5:02
15. Prophets of Rage 3:18
16. Party For Your Right To Fight 3:25
17. Bring the Noise (No Noise Version) 3:46
18. Bring the Noise (No Noise Instrumental) 4:23
19. Bring the Noise (No Noise A Cappella) 1:31
20. Rebel Without a Pause (Instrumental) 4:22
21. Night of the Living Baseheads (Anti-High Blood Pressure Encounter Mix) 5:01
22. Night of the Living Baseheads (Terminator X Meets DST And Chuck Chill Out Instrumental Mix) 2:55
23. The Edge of Panic 3:00
24. The Rhythm, The Rebel (A Cappella) 1:11
25. Prophets of Rage (Power Version) 3:20
26. Caught, Can We Get a Witness? (Pre Black Steel Ballistic Felony Dub) 5:05
27. B Side Wins Again 3:48
28. Black Steel In the Hour of Chaos (Instrumental) 1:16
29. Fight the Power (Do The Right Thing/Soundtrack Version) 5:23

Details

[Edit]

Yo! Bum Rush the Show was an invigorating record, but it looks like child's play compared to its monumental sequel, It Takes a Nation of Millions to Hold Us Back, a record that rewrote the rules of what hip-hop could do. That's not to say the album is without precedent, since what's particularly ingenious about the album is how it reconfigures things that came before into a startling, fresh, modern sound. Public Enemy used the template Run-D.M.C. created of a rap crew as a rock band, then brought in elements of free jazz, hard funk, even musique concrète, via their producing team, the Bomb Squad, creating a dense, ferocious sound unlike anything that came before. This coincided with a breakthrough in Chuck D's writing, both in his themes and lyrics. It's not that Chuck D was smarter or more ambitious than his contemporaries — certainly, KRS-One tackled many similar sociopolitical tracts, while Rakim had a greater flow — but he marshaled considerable revolutionary force, clear vision, and a boundless vocabulary to create galvanizing, logical arguments that were undeniable in their strength. They only gained strength from Flavor Flav's frenzied jokes, which provided a needed contrast. What's amazing is how the words and music become intertwined, gaining strength from each other. Though this music is certainly a representation of its time, it hasn't dated at all. It set a standard that few could touch then, and even fewer have attempted to meet since. [A Deluxe CD/DVD set was released in 2014.]