Lebanon Rabih Abou-Khalil: Odd Times
Download links and information about Lebanon Rabih Abou-Khalil: Odd Times by Rabih Abou - Khalil. This album was released in 1997 and it belongs to Jazz, World Music genres. It contains 8 tracks with total duration of 01:04:12 minutes.
Artist: | Rabih Abou - Khalil |
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Release date: | 1997 |
Genre: | Jazz, World Music |
Tracks: | 8 |
Duration: | 01:04:12 |
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Tracks
[Edit]No. | Title | Length |
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1. | The Sphinx and I (featuring Michel Godard, Howard Levy, Mark Nauseef, Nabil Khaiat) | 5:44 |
2. | Dr. Gieler's Prescription (featuring Michel Godard, Howard Levy, Mark Nauseef, Nabil Khaiat) | 5:15 |
3. | Elephant Hips (featuring Michel Godard, Howard Levy, Mark Nauseef, Nabil Khaiat) | 10:15 |
4. | Q Tips (featuring Michel Godard, Howard Levy, Mark Nauseef, Nabil Khaiat) | 4:34 |
5. | Son of Ben Hur (featuring Michel Godard, Howard Levy, Mark Nauseef, Nabil Khaiat) | 11:29 |
6. | The Happy Sheik (featuring Michel Godard, Howard Levy, Mark Nauseef, Nabil Khaiat) | 9:32 |
7. | One of Those Days (featuring Michel Godard, Howard Levy, Mark Nauseef, Nabil Khaiat) | 10:31 |
8. | Rabou Abou Kabou (featuring Michel Godard, Howard Levy, Mark Nauseef, Nabil Khaiat) | 6:52 |
Details
[Edit]Odd Times is Rabih Abou-Khalil's first live album. Since it would be impractical to assemble all of the guests he has had on his albums over the years, Abou-Khalil has gone in the other direction and pared his ensemble down to what is for him the bare bones: himself on oud, Howard Levy on harmonica, Michel Godard on tuba and serpent (an antique form of the tuba), Mark Nauseef on drums, and Nabil Khaiat on frame drums. Most live albums contain well-known pieces from the artist's studio repertoire; in contrast, Odd Times is mostly new material. In general, the album is a mix of shapeless, overlong attempts at atmosphere ("Elephant Hips") and fairly bouncy and fun items ("Q-Tips"). The pared-down lineup is engaging because Abou-Khalil's oud and Godard's tuba are more prominent; unfortunately, Levy's harmonica is also pronounced, and simply clashes with the entire project of fusing Arabic music and jazz. Though in all fairness, on "The Happy Sheik" Levy sets aside his usual cadences in favor of something more bluesy that melds better with its surroundings. The album closes with a vibrant performance of "Rabou-Abou-Kabou," one of Abou-Khalil's best songs.