Edge of the World
Download links and information about Edge of the World by Randy Stonehill. This album was released in 2002 and it belongs to Gospel genres. It contains 11 tracks with total duration of 46:31 minutes.
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| Artist: | Randy Stonehill |
| Release date: | 2002 |
| Genre: | Gospel |
| Tracks: | 11 |
| Duration: | 46:31 |
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Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Dare to Believe | 3:28 |
| 2. | That's the Way It Goes (Duet with Phil Keaggy) (featuring Phil Keaggy) | 3:20 |
| 3. | We Were All So Young (With Larry Norman, Phil Keaggy, Russ Taff, Barry McGuire, Noel Paul Stookey, Anne Herring & Love Song) (featuring Barry Mcguire, Larry Norman, Russ Taff, Phil Keaggy, Noel Paul Stookey, Anne Herring, Love Song) | 5:19 |
| 4. | Jayney | 4:32 |
| 5. | Take Me Back (Duet with Sara Groves) (featuring Sara Groves) | 4:50 |
| 6. | All I Know | 4:27 |
| 7. | Hey, Pauline | 5:12 |
| 8. | Edge of the World | 3:25 |
| 9. | Last Song for Michael | 2:40 |
| 10. | Far, Far | 4:30 |
| 11. | Prisoner of Hope | 4:48 |
Details
[Edit]After 30-plus years in Christian music, Randy Stonehill took a loving look backwards on 2002’s Edge of the World. In the early ‘70s, Stonehill and mentor Larry Norman pioneered what was then called Jesus Music. He explicitly evokes those exciting days in “We Were All So Young,” a nostalgic singalong featuring guest vocals by Norman, Phil Keaggy, Barry McGuire and other old-timers. But this album is as much about contemporary struggles as cherished memories. Stonehill’s persona as a fallible but always-striving believer is expressed with poignancy and humor in “That’s the Way It Goes” and the album’s stirring closer, “Prisoner of Hope.” “Jayney” offers consolation in times of need, while “Take Me Back” (a duet with Christian thrush Sara Groves) describes a family reconciliation. The sweetness of tunes like “Last Song for Michael” gets some balance from the title track, a brooding Delta blues-style number. The album is mostly acoustic-based, with Randy’s folk-rooted guitar and Baron Miller’s tangy drum work defining the sound.