Bleach/Voice & Writing Of Raymond Froggatt
Download links and information about Bleach/Voice & Writing Of Raymond Froggatt by Raymond Froggatt. This album was released in 1968 and it belongs to Folk Rock, World Music, Pop, Songwriter/Lyricist genres. It contains 24 tracks with total duration of 01:08:02 minutes.
Artist: | Raymond Froggatt |
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Release date: | 1968 |
Genre: | Folk Rock, World Music, Pop, Songwriter/Lyricist |
Tracks: | 24 |
Duration: | 01:08:02 |
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Tracks
[Edit]No. | Title | Length |
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1. | Have You Seen The Children | 2:56 |
2. | Teach Me Pa | 2:18 |
3. | Sooner Or Later | 3:33 |
4. | Louise | 2:33 |
5. | Hands Out | 2:40 |
6. | The Singer | 4:02 |
7. | Must Be Coming Home | 3:11 |
8. | Invisible Chain | 3:26 |
9. | Thats What You Are | 2:42 |
10. | Going Away | 3:47 |
11. | I'm Sure | 3:00 |
12. | Wishgiver | 4:23 |
13. | Always Goodbye | 2:10 |
14. | Corrina | 2:29 |
15. | Red Balloon (Callow La Vita) | 2:28 |
16. | Lonely Old World | 3:37 |
17. | ABC Goldfish | 2:33 |
18. | Sonnet By Hartley Cain | 1:40 |
19. | Somethings Goin' On | 2:30 |
20. | The Old Accordion | 2:42 |
21. | Froggatt Went A Courting | 1:41 |
22. | Jeanie With The Light Brown Hair (Tribute To Stephen Foster) | 2:32 |
23. | We're All Going To The Seaside | 2:35 |
24. | Roly | 2:34 |
Details
[Edit]Froggatt's debut album was a bland singer/songwriter effort, mixing in parts of troubadour folk and late-'60s middle-of-the-road British pop/rock. At times, particularly on some of the more bittersweet tunes, it's a little reminiscent of the softer aspects of the early Bee Gees (check "Lonely Old World" for a dose of that). Some of the more hale pop-folk-rock cuts might vaguely bring Donovan's more mainstream work to mind, although Donovan was miles better. Occasional tracks like the traditional "Corinna Corrina" and the guitar instrumental "Sonnet by Hartley Cain" tread close to contemporary folk. But others deploy hokily dated and at times unbearably cutesy orchestration, such as "Red Balloon (Callow-La-Vita)" (covered for a British hit by the Dave Clark Five) and the oompah-horn-laden "Roly." It's a peculiar endeavor that seems unsure of whether to aim for a frivolous pop audience or a more serious folky one, but the lack of focus is less of a problem than the mediocrity of the music. [The 2004 CD reissue on Repertoire adds a dozen bonus tracks from 1968-1969 singles, though three of these are just the single mixes of songs from the album.]