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Teenage Hate / F**k Elvis Here's the Reatards

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Download links and information about Teenage Hate / F**k Elvis Here's the Reatards by Reatards. This album was released in 2011 and it belongs to Rock, Alternative genres. It contains 39 tracks with total duration of 01:13:53 minutes.

Artist: Reatards
Release date: 2011
Genre: Rock, Alternative
Tracks: 39
Duration: 01:13:53
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Tracks

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No. Title Length
1. I'm So Gone 1:26
2. Stacye 1:25
3. I Love Living 1:37
4. When I Get Mad 2:51
5. C'Mon Over 1:59
6. Out of My Head, Into My Bed 1:38
7. You F****d Up My Dreams 2:46
8. It Ain't Me 2:15
9. Down in Flames 2:19
10. I Gotta Rock 'n' Roll 1:16
11. Memphis Blues 2:28
12. Quite All Right 2:27
13. Fashion Victim 1:41
14. Old News Baby 1:44
15. Not Good Enough for You 1:40
16. Ollie V. 2:33
17. Not Your Man 1:36
18. I Can Live Without You 3:06
19. Black September 1:34
20. Chuck Taylors All Stars Blues 1:35
21. I Lie To 0:43
22. Memphis Blues 2:46
23. On the Go 1:39
24. Give It to Me 2:21
25. Carot Belly Bunny Blues 0:54
26. You Build Me Up Just to Bust Me Back Down 1:26
27. Your the One 2:11
28. When I Get Mad 2:39
29. Get the F**k Outta My Home 1:43
30. You Build Me Up Just to Bust Me Back Down 1:33
31. You Ain't No Fun No Mo 1:31
32. I Lie To 0:39
33. Give It to Me 1:58
34. C'Mon Over 1:56
35. Not Your Man 1:43
36. Your Old News Baby 1:52
37. Crazy Man 2:27
38. Action Woman 2:02
39. I'm Down 1:54

Details

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Before the late Jay Reatard started making punk records that were colored in the slightly rosier hues of British pop-punk (think the Undertones, Toy Dolls, Buzzcocks), he made exhilarating, sneering, garage-fume-driven punk rock. Reatard, who died at the maddeningly and tragically early age of 29 in 2010, made these recordings back in 1998 and earlier; F** Elvis Here’s the Reatards (tracks 30 - 39) was a rough, primitive cassette that came before his 1998 debut LP on Goner Records, Teenage Hate (tracks 1-18). Also included in this astonishing package is another collection of early cassette recordings (tracks 19 - 29), serving alongside the Elvis batch as the most raw, formidable Reatard recordings. They are sure to please serious fans and collectors. Whether it’s the pure, time traveled punk of “I’m So Gone,” the bluesy yowl of “Memphis Blues,” or the stomping ’60 garage rock of “I Lie To,” Reatard was punk rock incarnate ... though his heart may have pumped tattoo-black ink instead of crimson-red blood. The man rocked hard, but sadly lived harder; his relatively small catalog of music covers a surprising breadth of style. This collection is the critical starting point.