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Discothèque Crypt / Discotheque Crypt

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Download links and information about Discothèque Crypt / Discotheque Crypt by Revolver Modèle / Revolver Modele. This album was released in 2006 and it belongs to Indie Rock, Dancefloor, Dance Pop, Alternative genres. It contains 11 tracks with total duration of 42:45 minutes.

Artist: Revolver Modèle / Revolver Modele
Release date: 2006
Genre: Indie Rock, Dancefloor, Dance Pop, Alternative
Tracks: 11
Duration: 42:45
Buy on iTunes $9.99

Tracks

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No. Title Length
1. Les diaboliques (featuring Peter Anderson) 3:56
2. Ah Ah Ah (featuring Peter Anderson) 4:23
3. Delirium Tremens (featuring Peter Anderson) 3:33
4. High Heels (featuring Peter Anderson) 2:47
5. Icons (featuring Peter Anderson) 4:29
6. Masks (featuring Peter Anderson) 3:35
7. The Ache (featuring Peter Anderson) 5:38
8. Body Without Organs (featuring Peter Anderson) 3:28
9. Fiction (featuring Peter Anderson) 3:32
10. Deca-Dance (featuring Peter Anderson) 3:30
11. In the Aisles (featuring Peter Anderson) 3:54

Details

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Well, give them this: by calling their album Discothèque Crypt, they gave you fair warning. This Minneapolis-based band apparently wishes for all the world that it was actually based in Manchester, England, circa 1983, and Revolver Modèle seem to kind of want to be dead also. And maybe French. If all of that adds up to your idea of romance, then you'll be thoroughly enchanted by lead vocalist Ehsan Alam's ooga-booga, Ian Curtis-meets-Lux Interior singing style and by the band's clangorous drone. Actually, the band's overall sound is by far its strongest asset; lead guitarist Mikal Arnold is an especially graceful and inventive player, and on several tracks — notably the wonderful (if woefully titled) "Deca-Dance," he builds beautifully on the band's foundation of filched Joy Division sounds to create something simultaneously old-school and forward-looking. At its weaker moments, however, the band seems to be stuck between a less tuneful version of the Indochine sound and a less convincing version of Joy Division's angst. To be brutally honest, what they need to do is lose Alam, whose pretentious croakings are annoying from the beginning and completely insufferable by about halfway through the album.