Girls Need Attention
Download links and information about Girls Need Attention by Richard Julian. This album was released in 2010 and it belongs to Rock, Pop, Songwriter/Lyricist genres. It contains 10 tracks with total duration of 35:48 minutes.
Artist: | Richard Julian |
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Release date: | 2010 |
Genre: | Rock, Pop, Songwriter/Lyricist |
Tracks: | 10 |
Duration: | 35:48 |
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Buy on iTunes $9.90 |
Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Window | 3:28 |
2. | Words | 3:46 |
3. | Lost In Your Light | 3:13 |
4. | Girls Need Attention | 3:40 |
5. | World We Made | 4:02 |
6. | Georgie | 2:32 |
7. | Stained Glass | 4:03 |
8. | Sweet Little Sway | 2:38 |
9. | Alexander’s Black GT | 3:55 |
10. | Wedding In Cherokee County | 4:31 |
Details
[Edit]On his sixth album, Richard Julian proves that you can say more in a whisper than you can with a shout. Like its predecessor, 2008's Sunday Morning in Saturday's Shoes, Girls Need Attention is a sparsely produced affair, centering on Julian's acoustic guitar and husky croon, adding other elements only as needed. When the barbed-wire guitar licks of Wilco's Nels Cline crop up on the incisive "Words," for instance, it's a sound that's essential to the feel of the tune, not just some overdubbed afterthought. And while the dynamic is mostly a low-key one throughout the album, Julian's trenchant songcraft can turn even the most ostensibly unassuming ballad into a weapon of mass destruction. A perfect example is "World We Made," where the pretty melody and placid feel are undercut at key moments by a subtle-but-stark evocation of emotional turmoil, matched at those same points by discordant turns in the harmonic structure. The album's lone cover tune — in fact, the first one Julian has ever recorded — suggests a stylistic lineage as it tips a hat to the original master of subtly sardonic songwriting; Julian gives Randy Newman's hilariously tragic tale "A Wedding in Cherokee County" a perfectly deadpan reading with a rootsy guitar-and-fiddle setting that's actually closer to the milieu of its backwoods characters than Newman's piano-led original. Of course, it's not all sneaky subversion — tunes like the opening cut, "Window," for example, are dreamy swirls of images that tickle the cerebral cortex even as they connect a straight line to the soul, in the way that some of Paul Simon's more stream-of-consciousness latter-day songs might. ~ J. Allen, Rovi