|
No. |
Title |
Length |
| 1. |
The Messiah, HWV 56: Pt. 1 No. 11, The People That Walked In Darkness (Bass) (Live At Cathedral Of Brixen, 08 / 28 / 2009) |
4:04 |
| 2. |
The Messiah, HWV 56: Pt. 1 No. 20, He Shall Feed His Flock Like A Shepherd (Alto) (Live At Cathedral Of Brixen, 08 / 28 / 2009) |
5:02 |
| 3. |
The Messiah, HWV 56: Pt. 2 No. 36, The Lord Gave The Word (Chorus) (Live At Cathedral Of Brixen, 08 / 28 / 2009) |
1:06 |
| 4. |
Memoirs: Observations On The Works: Before We Enter On The Examinations |
0:41 |
| 5. |
Memoirs: Observations On The Works: Music Is Founded On Established Rules |
0:43 |
| 6. |
Memoirs: Observations On The Works: The Rules Are Derived From Experience |
0:38 |
| 7. |
Memoirs: Observations On The Works: The Former Of These |
0:36 |
| 8. |
Memoirs: Observations On The Works: Such Passages |
0:36 |
| 9. |
Memoirs: Observations On The Works: Hence Too We May Conclude |
0:31 |
| 10. |
Memoirs: Observations On The Works: As Tste Implies A Natural Sensibility |
0:32 |
| 11. |
Memoirs: Observations On The Works: Art Is Here Not Only Useless, But Dangerous |
0:31 |
| 12. |
Memoirs: German And Italian Styles, Handel's Preference For The Italian: What Gives Me The Fuller Assurance |
0:38 |
| 13. |
Memoirs: German And Italian Styles, Handel's Preference For The Italian: The Taste In Music |
0:39 |
| 14. |
Memoirs: German And Italian Styles, Handel's Preference For The Italian: Handel Formed His Taste Upon That Of His Countrymen |
0:33 |
| 15. |
Memoirs: German And Italian Styles, Handel's Preference For The Italian: When We Consider Two Kinds Of Music |
0:32 |
| 16. |
Memoirs: German And Italian Styles, Handel's Preference For The Italian: Thus He Takes In All The Prejudicated Part |
0:34 |
| 17. |
Memoirs: German And Italian Styles, Handel's Preference For The Italian: This Appeares From Particular Instances |
0:35 |
| 18. |
Memoirs: Italian Music Since Palestrina: The Old Music, Such As It Was At The Time Of Palestrina |
0:33 |
| 19. |
Memoirs: Italian Music Since Palestrina: It Happened, As It Naturally Must |
0:38 |
| 20. |
Memoirs: Italian Music Since Palestrina: For Their Instrumental Parts |
0:35 |
| 21. |
Memoirs: Italian Music Since Palestrina: The One Is, That They Have Little Time For Composing |
0:36 |
| 22. |
Memoirs: Italian Music Since Palestrina: Almost Every Composer Of Genius In Italy |
0:38 |
| 23. |
Memoirs: Italian Music Since Palestrina: This In Some Degree |
0:46 |
| 24. |
Memoirs: Interaction Between Handel And The Italians: From All That Has Been Said |
0:53 |
| 25. |
Memoirs: Interaction Between Handel And The Italians: And As Some Proof Of Handel's Influence In Italy |
0:53 |
| 26. |
Memoirs: Value Of Harmony And Melody: But In Order To Make A Right Judgement |
0:39 |
| 27. |
Memoirs: Value Of Harmony And Melody: The Concertos Of Tartini' |
0:38 |
| 28. |
Memoirs: Value Of Harmony And Melody: Rousseau Has Developed This Matter Wonderfully |
0:48 |
| 29. |
Memoirs: Value Of Harmony And Melody: His Uncommon Strenght In The Instrumental Way |
0:47 |
| 30. |
Memoirs: Value Of Harmony And Melody: It May Also Be Added |
0:42 |
| 31. |
Memoirs: Value Of Harmony And Melody: Yet In Many Others All Parts Are So Nicely Adjusted |
0:42 |
| 32. |
Memoirs: Value Of Harmony And Melody: The Best Painter Would Be Blamed |
0:38 |
| 33. |
Memoirs: Uneven Success In Handel: To Speak The Plain Truth |
0:40 |
| 34. |
Memoirs: Uneven Success In Handel: A Gentleman Whom He Had Desired |
0:38 |
| 35. |
Memoirs: Uneven Success In Handel " Un Disprezzato Affetto " |
0:40 |
