Try to Remember: A Look Back at Off-Broadway (Live)
Download links and information about Try to Remember: A Look Back at Off-Broadway (Live) by Rita Gardner. This album was released in 2006 and it belongs to Theatre/Soundtrack genres. It contains 21 tracks with total duration of 01:02:29 minutes.
Artist: | Rita Gardner |
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Release date: | 2006 |
Genre: | Theatre/Soundtrack |
Tracks: | 21 |
Duration: | 01:02:29 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Much More and I Can See It (From "The Fantasticks") [Live] | 3:50 |
2. | Nightcap (Live) | 0:39 |
3. | No Tune Like a Show Tune (From "Nightcap") [Live] | 1:56 |
4. | Your Good Morning (From "Nightcap") [Live] | 3:10 |
5. | Your Hand in Mine (From "Parade") [Live] | 3:13 |
6. | Off-Broadway Medley (Live) | 5:41 |
7. | Mack the Knife (From "the Threepenny Opera") [Live] | 3:48 |
8. | Lazy Afternoon (From "Golden Apple") [Live] | 2:43 |
9. | Carousel (From "Jacques Brel Is Alive and Well and Living in Paris") [Live] | 4:25 |
10. | Hair (Live) | 1:37 |
11. | Initials (From "Hair") [Live] | 1:05 |
12. | Dames at Sea (Live) | 1:35 |
13. | It's You (From "Dames at Sea") [Live] | 2:16 |
14. | I Don't Remember Christmas (From "Starting Here, Starting Now") [Live] | 2:58 |
15. | I Miss You (From "Colette Collage") [Live] | 4:37 |
16. | What I Did for Love (From "a Chorus Line") [Live] | 4:13 |
17. | Taking My Turn (Live) | 3:47 |
18. | The Fantasticks (Live) | 2:21 |
19. | Try to Remember / They Were You (From "the Fantasticks") [Live] | 4:55 |
20. | Joy (From "Colette Collage") [Live] | 3:01 |
21. | Playoff (From "the Fantasticks") [Live] | 0:39 |
Details
[Edit]Rita Gardner, who originated the role of the Girl (aka Luisa) in The Fantasticks in 1960, began presenting this one-woman show in 2002, and has enjoyed a long run with it — and for good reason, as this CD reveals. Gardner's voice, like her talent, won't quit, and she can still glide across those girlish numbers from The Fantasticks convincingly 40-plus years later. With Alex Rybeck's deft piano accompaniment and a beguiling persona — witty and charmingly self-deprecating, but always warm — she glides, slides, and soars across several decades' worth of musical theater history, all the while recalling the off-Broadway world and her colleagues from the 1950s to the start of the 21st century. She's frequently funny and occasionally very poignant in her reminiscences, and it's all worth hearing and keeping. The repertoire ranges from Jones and Schmidt to Kurt Weill, Jerome Moross, Marvin Hamlisch, David Shire, and Jacques Brel, including a few unexpected choices that only liven up the proceedings even further.