Rob The Mob (Original Motion Picture Soundtrack)
Download links and information about Rob The Mob (Original Motion Picture Soundtrack). This album was released in 2014 and it belongs to Theatre/Soundtrack genres. It contains 23 tracks with total duration of 47:49 minutes.
Release date: | 2014 |
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Genre: | Theatre/Soundtrack |
Tracks: | 23 |
Duration: | 47:49 |
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Tracks
[Edit]No. | Title | Length |
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1. | Love and the Gun (feat. Tamela D'Amico) (Stephen Endelman, Raymond DeFelitta) | 3:43 |
2. | Groove Is in the Heart (Deee - Lite) | 3:54 |
3. | City in the Sky (The Staple Singers) | 3:52 |
4. | Somethin' You Got (Wilson Pickett) | 2:56 |
5. | I Can Talk to My Boss (Stephen Endelman) | 1:06 |
6. | Flower Shop Robbery (Stephen Endelman) | 1:20 |
7. | Tommy Gets Out (Stephen Endelman) | 0:44 |
8. | Tommy Heads to the Bronx (Stephen Endelman) | 0:59 |
9. | Tommy Goes to Gotti Trial (Stephen Endelman) | 1:42 |
10. | Tommy's Flashback (Stephen Endelman) | 2:05 |
11. | Big Al's Balls of Rice (Stephen Endelman) | 1:53 |
12. | Why I Am Me (Stephen Endelman) | 3:44 |
13. | The List (Stephen Endelman) | 2:48 |
14. | Hey Vinnie I Got the List (Stephen Endelman) | 1:58 |
15. | Rosie Calls Al (Stephen Endelman) | 2:14 |
16. | Tommy Premonition (Stephen Endelman) | 1:40 |
17. | I'm Outta Here (Stephen Endelman) | 1:07 |
18. | Worlds Falling Apart (Stephen Endelman) | 1:05 |
19. | Coney Island Montage (Stephen Endelman) | 0:59 |
20. | Flashback (Stephen Endelman) | 0:50 |
21. | Chess (Stephen Endelman) | 1:57 |
22. | Hit Goes Down (Stephen Endelman) | 2:26 |
23. | Christmas Day (Stephen Endelman) | 2:47 |
Details
[Edit]New York–based director Raymond De Felitta and English composer Stephen Endelman share a friendship and creative trust that's rooted in their collaboration on the 2000 Sundance winner Two Family House. The director, a jazz pianist himself, notes that Endelman “scored the most emotional scene in Rob the Mob first, and it changed the entire vibe of the movie, just took it to another level.” That inspired an unusual filmmaking experiment: De Felitta bringing in the composer “as soon as we started editing, so he could start writing and we could find the sound together.” Working against the backdrop of a mob gone to seed, Endelman’s spare cues are often the film’s wistful soul. The composer credits De Felitta with the idea for the score’s opening gambit/recurring theme, a bona fide “60s/Italianate pop song.” The director says that crafting that dizzy Franco-American pop melodrama was a puzzle: “How do you write an Italian pop song to be translated into English, given that I don’t speak Italian? It had to sound a little stilted, so I wrote ‘Love and a Gun.’”