The Centennial Collection
Download links and information about The Centennial Collection by Robert Johnson. This album was released in 2011 and it belongs to Blues, Country, Acoustic genres. It contains 42 tracks with total duration of 01:48:55 minutes.
Artist: | Robert Johnson |
---|---|
Release date: | 2011 |
Genre: | Blues, Country, Acoustic |
Tracks: | 42 |
Duration: | 01:48:55 |
Buy it NOW at: | |
Buy on iTunes $14.99 | |
Buy on Amazon $14.99 | |
Buy on Songswave €1.72 | |
Buy on Songswave €1.40 |
Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Kind Hearted Woman Blues (SA.2580-1) | 2:52 |
2. | I Believe I'll Dust My Broom (SA.2581-1) | 2:59 |
3. | Sweet Home Chicago (SA.2582-1) | 2:58 |
4. | Ramblin' On My Mind (SA.2583-1) | 2:22 |
5. | When You Got a Good Friend (SA.2584-1) | 2:37 |
6. | Come On In My Kitchen (SA.2585-2) | 2:44 |
7. | Terraplane Blues (SA.2586-1) | 3:00 |
8. | Phonograph Blues (SA.2587-1) | 2:40 |
9. | 32-20 Blues (SA.2616-2) | 2:50 |
10. | They're Red Hot (SA.2627-1) | 2:58 |
11. | Dead Shrimp Blues (SA.2628-2) | 2:31 |
12. | Cross Road Blues (SA.2629-1) | 2:40 |
13. | Walkin' Blues (SA.2630-1) | 2:30 |
14. | Last Fair Deal Gone Down (SA.2631-1) | 2:38 |
15. | Preachin' Blues (Up Jumped the Devil) [SA.2632-1] | 2:51 |
16. | If I Had Possession Over Judgement Day (SA.2633-1) | 2:35 |
17. | Kind Hearted Woman Blues (SA.2580-2) | 2:30 |
18. | Ramblin' On My Mind (SA.2583-1) | 2:51 |
19. | When You Got a Good Friend (SA.2584-2) | 2:52 |
20. | Come On In My Kitchen (SA.2585-1) | 2:52 |
21. | Phonograph Blues (SA.2587-2) | 2:33 |
22. | Cross Road Blues (SA.2629-2) | 2:32 |
23. | Stones In My Passway (DAL.377-2) | 2:29 |
24. | Steady Rollin' Man (DAL.378-1) | 2:37 |
25. | from Four Until Late (DAL.379-1) | 2:24 |
26. | Hell Hound On My Trail (DAL.394-2) | 2:37 |
27. | Little Queen of Spades (DAL.395-1) | 2:13 |
28. | Malted Milk (DAL.396-1) | 2:22 |
29. | Drunken Hearted Man (DAL.397-1) | 2:29 |
30. | Me and the Devil Blues (DAL.398-1) | 2:35 |
31. | Stop Breakin' Down Blues (DAL.399-1) | 2:23 |
32. | Traveling Riverside Blues (DAL.400-1) | 2:40 |
33. | Honeymoon Blues (DAL.401-1) | 2:17 |
34. | Love In Vain Blues (DAL.402-2) | 2:18 |
35. | Milkcow's Calf Blues (DAL.403-2) | 2:21 |
36. | Little Queen of Spades (DAL.395-2) | 2:20 |
37. | Drunken Hearted Man (DAL.397-2) | 2:27 |
38. | Me and the Devil Blues (DAL.398-2) | 2:33 |
39. | Stop Breakin' Down Blues (DAL.399-2) | 2:18 |
40. | Traveling Riverside Blues (DAL.400-2) | 2:53 |
41. | Love In Vain Blues (DAL.402-1) | 2:26 |
42. | Milkcow's Calf Blues (DAL.403-3) | 2:18 |
Details
[Edit]In practical terms, there’s not much need for Robert Johnson’s The Complete Recordings: The Centennial Collection. There are no undiscovered master or alternate takes, new remastering can only improve the original acetates and 78s so much, and apart from the sequencing of alternate takes after the masters, a debatable merit for listenability, the original 1990 box set The Complete Recordings did everything right. So, The Centennial Collection exists to celebrate Johnson’s 100th birthday, and to offer improved sequencing and sound, both of which are evident on the double-disc set that provides the foundation for this entire reissue project. As strong as this compilation is, what’s really noteworthy in this centennial celebration is the box set designed for the very wealthy among us, a handsome, lavish fetish object for collectors coming complete with a hardcover book containing 45-rpm replicas of the original 78-rpm singles; a double disc of Johnson’s originals; a double disc of Rarities from the Vault that places Johnson into the context of his times by offering a disc of blues cut between 1928-1932 and a disc of Texas country, folk, and Mexican music; and then a DVD documentary of Johnson’s legacy. Naturally, this luxurious item is more attractive and interesting than its bare-bones companion, but it doesn’t necessarily offer greater musical insight than its slimmer cousin. Johnson’s legacy can fit onto a mere two discs, so the rest of the set is essentially well-dressed extras, with the two CDs of contemporary blues, country, and folk offering a nice sampling of Johnson’s peers even if they’re by no means extensive. And when you spring for a set of this magnitude, what matters isn’t the content so much as the presentation — and in that regard, the four-disc set is impeccable.