Create account Log in

Reinventing Punctuation

[Edit]

Download links and information about Reinventing Punctuation by Salako. This album was released in 1998 and it belongs to Jazz, Rock, Pop, Alternative, Psychedelic genres. It contains 20 tracks with total duration of 49:11 minutes.

Artist: Salako
Release date: 1998
Genre: Jazz, Rock, Pop, Alternative, Psychedelic
Tracks: 20
Duration: 49:11
Buy on iTunes $8.99

Tracks

[Edit]
No. Title Length
1. Each One Unique 4:11
2. Words Are Not Useful 1:55
3. Island Life 2:13
4. Glass-Bottom Boat Rides 1:02
5. For Inspiration Only 2:16
6. Colours Merge and Fly 2:39
7. Second Age 2:36
8. Story of Bill 3:26
9. The Moonlight Radiates a Purple Glow in His World 4:08
10. In Swoosh We Trust 1:51
11. Sun and Moon Conspire 2:35
12. Go On Then! Enlighten Me, Why Doncha? 2:18
13. Sunburst 2:53
14. Six Part Lullaby 1:24
15. Don't Be Afraid 2:37
16. When Will We Be Alone? 1:14
17. Porpoise Sunlamp 2:25
18. In the Morning 0:54
19. Growing Up in the Night 3:57
20. Could Things Be the Same 2:37

Details

[Edit]

Perhaps it was never Salako's intention to dent the downbeat electro-pop market in the way bands such as Lemon Jelly and Röyskopp have, and on evidence of this first release the group's approach isn't as is fine-tuned as acts in that genre. Maybe it's the sound of a band trying to be too clever, or the use of programming isn't as accomplished as others', but what is apparent is that you're dealing with a band that has a clear premise of what constitutes a concept album — fans of Beck's Mutations would be in agreement. That absurd notion that you've heard something before, even without having done so, is brought through on opening tracks "Each One Unique," "Words Are Not Useful," and the single "Growing Up in the Night," while song titles "Sunburst" and "Glass-Bottom Boat Rides" invoke a summery feel that befits the album musically. Group member Luke Barwell is a one-man band in terms of his input on this release. He scopes the majority of the album's course with his mastering of the drum machine and use of loops, contrasting with the omnipresent acoustic guitar and James Waudby's indie pop vocals. The finished product is a largely pleasant portion of sunshine pop intended to lift your mood. If that doesn't transpire, be prepared to be consumed by wacky lyrics or novel sound effects, if that's your thing. How about Simon & Garfunkel bonding with Stereolab, or Kraftwerk meets Badly Drawn Boy? With 20 tracks, there's something to suit everyone, especially if you're familiar with fellow Jeepster acts Belle & Sebastian or Snow Patrol. Intriguing, if only for its ambition.