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Saucer

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Download links and information about Saucer by Saucer. This album was released in 1996 and it belongs to Rock, Alternative genres. It contains 30 tracks with total duration of 53:03 minutes.

Artist: Saucer
Release date: 1996
Genre: Rock, Alternative
Tracks: 30
Duration: 53:03
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Tracks

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No. Title Length
1. Triple Lutz 2:37
2. Steakhouse 2:07
3. We Dream Clean 3:32
4. She Used to Be the Bomb 3:46
5. Lil' Hatchback 1:14
6. We Want Our Brains Back 1:34
7. The New Catatonic 3:01
8. Nimbus 2:11
9. Liberry 0:57
10. Green & Wise 1:45
11. Your Ass Is Grass 1:16
12. i & I Is Uneasy 1:11
13. Speed of Germany 1:21
14. Right Under My Nose 1:27
15. Cirrus 2:16
16. F Is for F*cked Up 1:36
17. Paper Towel 1:40
18. Agony 0:59
19. Mr. Sound Effects 0:58
20. Anywhere On Her 1:25
21. Tiny Tease 1:19
22. Festival 1:28
23. Red Carrot Stick 0:45
24. Knick Knacks for David Bowie 1:28
25. Sit On This 2:21
26. Huge Eyes 1:26
27. Cumulus 2:03
28. Tiny Tees (reprise) 1:09
29. Stay Wicked F*cker 1:46
30. Coney Eyelid 2:25

Details

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Saucer sports some fairly interesting organization, so far as records go: tracks one through five are a studio-recorded EP, but the release also tacks on 25 short songs home-recorded on a four-track. The material from this EP itself is quite appealing, tossing off pleasant pop/rock songs from an indie standpoint (and frequently approaching a sloppy pop sound that falls in line with Pavement, the 3-D's, or Yatsura), but the record's true points of interest crop up among the home recordings, which have the simplistic pop qualities of early Kleenex Girl Wonder releases. With a surprising level of consistency, the band wanders through tinny synth sounds, loungey jazz experiments, primitive pop songs, and lo-fi rock gems, and while some tracks falter, an extraordinary number of hidden gems surface as well. Listening through these 25 tracks, one can never really guess where the band will head next, and this turns out be a very good thing, as each inventive turn manages to be more interesting and more charming that one might have expected, without sacrificing any of the pop focus of the more conventional EP tracks.