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Empire

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Download links and information about Empire by Scott Colley. This album was released in 2010 and it belongs to Jazz, Vocal Jazz genres. It contains 10 tracks with total duration of 54:42 minutes.

Artist: Scott Colley
Release date: 2010
Genre: Jazz, Vocal Jazz
Tracks: 10
Duration: 54:42
Buy on iTunes $9.90
Buy on Amazon $6.99

Tracks

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No. Title Length
1. January (featuring Bill Frisell, Ralph Alessi, Brian Blade) 4:53
2. The Gettin Place (featuring Bill Frisell, Ralph Alessi, Brian Blade) 8:24
3. For Sophia (featuring Bill Frisell, Ralph Alessi, Brian Blade) 5:20
4. 5:30 am (featuring Craig Taborn, Ralph Alessi, Brian Blade) 7:23
5. Speculation (featuring Craig Taborn, Brian Blade) 6:46
6. Tomorrowland (featuring Bill Frisell) 3:22
7. Now What? (featuring Bill Frisell, Ralph Alessi, Brian Blade) 6:14
8. Gut (featuring Ralph Alessi) 4:07
9. Five-Two (featuring Bill Frisell, Ralph Alessi, Brian Blade) 6:12
10. Five-Two.2 (featuring Bill Frisell, Craig Taborn, Ralph Alessi, Brian Blade) 2:01

Details

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Since making his recording debut with Carmen McRae in the mid-'80s, Scott Colley has been one of the most in-demand bassists, working with Jim Hall and Andrew Hill, among dozens of others. But when Colley has had the opportunity to record as a leader, he has explored provocative originals interpreted with a crop of great players from his generation. Empire is centered around a core group consisting of electric guitarist Bill Frisell, trumpeter Ralph Alessi, and drummer Brian Blade, with pianist Craig Taborn added on some tracks. A brief paragraph in the booklet describes the history of the speculative town of Empire, KS, which was undone and doomed to obscurity when the railroad was built well north of the town. Colley's songs have a lonely, haunting quality, especially in the finale to "The Gettin Place," with the simulation of a train at rest fading to the close. The ballad "For Sophia" has a loping, rural flavor with Colley's melodic lead backed by Frisell and Blade. "Speculation" showcases Colley's moody bassline and Taborn's sparse, dark piano. Perhaps the most emotional track is the Colley/Alessi duet, which has hints of Baroque music built into its structure. This often subtle release deserves a quiet setting to be truly appreciated, it is easily one of Scott Colley's finest recordings.