Create account Log in

The Early Year

[Edit]

Download links and information about The Early Year by Scud Mountain Boys. This album was released in 1997 and it belongs to Rock, Indie Rock, Country, Alternative Country, Alternative genres. It contains 27 tracks with total duration of 01:53:59 minutes.

Artist: Scud Mountain Boys
Release date: 1997
Genre: Rock, Indie Rock, Country, Alternative Country, Alternative
Tracks: 27
Duration: 01:53:59
Buy on iTunes $19.99
Buy on Songswave €1.85
Buy on Songswave €1.36

Tracks

[Edit]
No. Title Length
1. Silo 3:45
2. Reservoir 5:53
3. Glacier Bay 3:57
4. Peter Graves' Anatomy 5:21
5. Freight of Fire 4:05
6. Sweet Sally 4:24
7. Oklahoma 4:56
8. Don't Know How to Tell Her 4:06
9. Gypsies, Tramps and Thieves 6:17
10. There Is No Hell (Like the Hell on This Earth) 4:42
11. Wichita Lineman 4:02
12. Please, Mr. Please 4:31
13. Down in Writing 4:47
14. Closing Time 4:59
15. Freight of Fire 3:52
16. One Hand 3:56
17. Letter to Bread 3:26
18. Television 4:34
19. (She Took His) Picture 3:09
20. Where's the Playground, Susie 4:24
21. Combine 4:24
22. Blood and Bones 3:45
23. Silo 3:42
24. Sangre de Cristo 4:33
25. Kneeling 3:51
26. Fiery Coffin 1:47
27. Helen 2:51

Details

[Edit]

Before Joe Pernice crooned breathy baroque pop and garnered comparisons to Colin Blunstone, he crooned breathy Americana and garnered comparisons to Colin Blunstone. The Early Year is an awesome twofer comprising Scud Mountain Boys’ first two albums from 1995: Dance the Night Away and Pine Box. Prior to playing medicated twang, the Northampton, Mass.–based Boys called themselves The Scuds and played rock ‘n’ roll, but having grown tired of loud amps and lugging gear, they reformed as a mostly acoustic, kitchen-table recording band just in time for the mid-'90s alt-country movement. Comparisons to Son Volt and Will Oldham aren't far off, as the opening song, “Silo,” can attest to with its rootsy minimalism and Pernice’s buttery inflections. In the beautifully stark “Reservoir,” his velvety voice goes head-to-head with Bruce Tull’s twangy guitar, echoing moments of brilliance from The Byrds’ Ballad of Easy Rider. The Scud Mountain Boys' cover of Olivia Newton John’s “Please, Mr. Please” is sublime, and they also turn Cher’s “Gypsies, Tramps and Thieves” into something as beautiful as the rendition of “Woodstock” by Matthews' Southern Comfort.