Arise
Download links and information about Arise by Sepultura. This album was released in 1997 and it belongs to Rock, Black Metal, Hard Rock, Metal, Death Metal, Heavy Metal genres. It contains 13 tracks with total duration of 59:18 minutes.
Artist: | Sepultura |
---|---|
Release date: | 1997 |
Genre: | Rock, Black Metal, Hard Rock, Metal, Death Metal, Heavy Metal |
Tracks: | 13 |
Duration: | 59:18 |
Buy it NOW at: | |
Buy on iTunes $9.99 | |
Buy on Amazon $6.15 | |
Buy on Amazon $259.58 | |
Buy on Songswave €4.40 | |
Buy on Songswave €1.67 | |
Buy on Songswave €2.17 | |
Buy on Songswave €2.23 |
Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Arise | 3:18 |
2. | Dead Embryonic Cells | 4:52 |
3. | Desperate Cry | 6:41 |
4. | Murder | 3:26 |
5. | Subtraction | 4:47 |
6. | Altered State | 6:34 |
7. | Under Siege (Regnum Irae) | 4:54 |
8. | Meaningless Movements | 4:41 |
9. | Infected Voice | 3:18 |
10. | Orgasmatron | 4:15 |
11. | Intro (Arise) | 1:33 |
12. | C.I.U. (Criminals In Uniform) | 4:16 |
13. | Desperate Cry (Scott Burns Mix) | 6:43 |
Details
[Edit]Following the classicist thrash of Beneath the Remains, Sepultura started to evolve its sound. By integrating elements of industrial music, hardcore punk, and—most crucially—South American rhythmic traditions, the group started to assert itself outside of the towering influence of Metallica and Slayer. Not that Arise is a left-field outing by any means. The two leadoff singles—“Arise” and “Dead Embryonic Cells”—are built on the established template of Beneath the Remains, but they're more textural and more dynamic, and they include more unexpected sonic surprises. The industrial influence comes alive on “Altered State” and “Under Siege,” which not only highlight Sepultura’s search for new rhythmic forms but prove that Sepultura is as interested in setting a mood as nailing a riff. Propelled by drummer Igor Cavalera, the group first began to uncover a new kind of swinging, low-end groove in songs like “Desperate Cry.” The album closes with a fist-pumping cover of Motörhead’s “Orgasmatron,” verifying that no matter what risks Sepultura might have taken with its music, at heart it still considered itself part of the rock 'n' roll tradition.