Shannon Stephens (Bonus Track Version)
Download links and information about Shannon Stephens (Bonus Track Version) by Shannon Stephens. This album was released in 2000 and it belongs to Rock, Alternative, Songwriter/Lyricist, Contemporary Folk genres. It contains 15 tracks with total duration of 01:01:40 minutes.
Artist: | Shannon Stephens |
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Release date: | 2000 |
Genre: | Rock, Alternative, Songwriter/Lyricist, Contemporary Folk |
Tracks: | 15 |
Duration: | 01:01:40 |
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Tracks
[Edit]No. | Title | Length |
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1. | So Gentle Your Arms | 4:16 |
2. | Panic | 3:49 |
3. | Months | 2:54 |
4. | I Want To Be Your Friend | 4:44 |
5. | Deliverance | 4:39 |
6. | I Don't Want To Go | 4:18 |
7. | Welcome To New York | 4:28 |
8. | Air So Thick | 2:23 |
9. | Army Of 7:00 | 6:53 |
10. | Catch The Morning Line | 4:19 |
11. | Arrows | 3:10 |
12. | I'll Be Glad | 3:07 |
13. | Arrow's (Reprise) | 7:04 |
14. | My Feeble Heart (Bonus Track) | 2:38 |
15. | The Way Relationships End Up (Bonus Track) | 2:58 |
Details
[Edit]Shannon Stephens, a former bandmate and longtime friend of Sufjan Stevens, released her solo debut in 2000 before dropping out of the limelight to raise a family. One decade later, her career is back in full swing thanks to Sufjan’s own record label, Asthmatic Kitty, which released Stephens' second album ten years old, but its sparse, soft-spoken folk music isn’t exactly time specific, and it works just as well in 2010 as it would’ve at the turn of the millennium. Stephens decorates her songs lightly, inviting a few friends into the studio to play their instruments — piano, guitar, and brushed percussion chief among them — but usually taking a solo approach to the material, the majority of which seems to shine a spotlight on her lyrics. Like many coffeehouse-styled songwriters, she draws upon a hit-or-miss love life for inspiration — but she does so with a unique, poetic touch, finding metaphors in unlikely places (“You’ll tire out soon enough, for I am a fruitless tree/All leaves, all leaves”) and gravitating toward words that her contemporaries would struggle to use in a sentence (“girded,” “penumbra”). She result is part Lilith Fair folk and part collegiate confessionalism.