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The Globe Sessions

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Download links and information about The Globe Sessions by Sheryl Crow. This album was released in 1998 and it belongs to Rock, Punk Rock, Pop, Alternative, Songwriter/Lyricist, Classical, Contemporary Folk genres. It contains 13 tracks with total duration of 01:02:32 minutes.

Artist: Sheryl Crow
Release date: 1998
Genre: Rock, Punk Rock, Pop, Alternative, Songwriter/Lyricist, Classical, Contemporary Folk
Tracks: 13
Duration: 01:02:32
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Tracks

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No. Title Length
1. My Favorite Mistake 4:05
2. There Goes the Neighborhood 5:02
3. Riverwide 4:05
4. It Don't Hurt 4:47
5. Maybe That's Something 4:17
6. Am I Getting Through, Pts. 1 & 2 5:31
7. Anything but Down 4:18
8. The Difficult Kind 6:19
9. Mississippi 4:40
10. Members Only 4:57
11. Crash and Burn 6:37
12. Sweet Child o' Mine (Rick Rubin New Mix) 3:50
13. Subway Ride 4:04

Details

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The sophomore slump may be a killer for musicians who’ve had a hit, but the third time out shows what they’re made of. After the spectacular success of Sheryl Crow’s first two platinum-selling releases, The Globe Sessions showcases a less radio-friendly but more musically mature sound: introspective and bluesy, with rawer, heavier guitars and some of the most emotional and nuanced singing of Crow’s career. “My Favorite Mistake,” the radio hit, sets a heartsick blue-eyed soul shuffle over lush Hammond B3 organ; “There Goes the Neighborhood” kicks off with discofied handclaps before morphing into a late-Stones rocker, complete with sultry alto sax. “Am I Getting Through” is a downbeat, vaguely psychedelic ballad before it goes literally off the hook, a hung-up, beeping phone signaling the song’s transition to jittery, over-caffeinated hard rock. Add in the giddy power-chord chorus of “Anything But Down,” the lovely, brooding, and Celtic-flavored “Riverwide,” and “Mississippi,” a well-chosen Dylan cover, and it’s clear Crow’s willingness to experiment can pay off. The unquestioned highlight here, though, is “The Difficult Kind,” one of the all-time great break-up ballads, spiked with both bitter remorse and the knowledge that remorse makes no difference in the end: “There ain’t nothing like regret/ To remind you you’re alive.” The Globe Sessions is the sound of an artist making music for herself, unafraid to show her vulnerability or her strengths.