Iowa (Deluxe)
Download links and information about Iowa (Deluxe) by Slipknot. This album was released in 2001 and it belongs to Rock, Hard Rock, Metal, Heavy Metal genres. It contains 33 tracks with total duration of 02:27:03 minutes.
Artist: | Slipknot |
---|---|
Release date: | 2001 |
Genre: | Rock, Hard Rock, Metal, Heavy Metal |
Tracks: | 33 |
Duration: | 02:27:03 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | (515) | 0:59 |
2. | People = S**t | 3:35 |
3. | Disasterpiece | 5:08 |
4. | My Plague | 3:39 |
5. | Everything Ends | 4:13 |
6. | The Heretic Anthem | 4:13 |
7. | Gently | 4:53 |
8. | Left Behind | 4:00 |
9. | The Shape | 3:37 |
10. | I Am Hated | 2:37 |
11. | Skin Ticket | 6:40 |
12. | New Abortion | 3:36 |
13. | Metabolic | 3:59 |
14. | Iowa | 15:02 |
15. | My Plague (New Abuse Mix) | 3:02 |
16. | (515) [Live In London 2002] | 4:04 |
17. | People = S**t (Live In London 2002) | 3:36 |
18. | Liberate (Live In London 2002) | 3:37 |
19. | Left Behind (Live In London 2002) | 3:38 |
20. | Eeyore (Live In London 2002) | 2:38 |
21. | Disasterpiece (Live In London 2002) | 5:22 |
22. | Purity (Live In London 2002) | 5:26 |
23. | Gently (Live In London 2002) | 4:35 |
24. | Eyeless (Live In London 2002) | 4:57 |
25. | Drum Solo (Live In London 2002) | 3:59 |
26. | My Plague (Live In London 2002) | 3:47 |
27. | New Abortion (Live In London 2002) | 4:22 |
28. | The Heretic Anthem (Live In London 2002) | 4:59 |
29. | Spit It Out (Live In London 2002) | 7:44 |
30. | Wait and Bleed (Live In London 2002) | 3:27 |
31. | 742617000027 (Live In London 2002) | 1:44 |
32. | (Sic) [Live In London 2002] | 4:21 |
33. | Surfacing (Live In London 2002) | 5:34 |
Details
[Edit]After a couple years of relentless touring in support of their self-titled breakthrough album, Slipknot regrouped to record Iowa, an ode to their home state and one that consolidates and punctuates everything that had garnered the band its cultish following. The monstrous guitar crunch, the concrete-dense rhythmic foundation, the frenzied singing, and the overall madcap fashion of it all — Slipknot's trademark sound is very much at the forefront of this dark, dark album and is presented in epic form on the extended, album-closing title track, which brings to mind Children of the Corn-type terrors. Though not quite as commercially viable as the more straightforward Slipknot album, Iowa is a more interesting album, one that envelopes you in its American Gothic shadow and leaves you feeling unsettled afterward. It's really all you could ask for in a Slipknot album, and then some — perhaps some more than you'd like, in fact, if you're not part of the cult. [The Japanese version of Iowa, Rovi