Create account Log in

Sly & Robbie Presents Sounds of Taxi 1st Volume

[Edit]

Download links and information about Sly & Robbie Presents Sounds of Taxi 1st Volume. This album was released in 2013 and it belongs to Reggae genres. It contains 20 tracks with total duration of 01:18:30 minutes.

Release date: 2013
Genre: Reggae
Tracks: 20
Duration: 01:18:30
Buy on iTunes $6.99

Tracks

[Edit]
No. Title Length
1. Baltimore (The Tamlins) 4:38
2. Give Me Your Love (Jimmy Riley) 4:18
3. Guess Who's Coming To Dinner (Black Uhuru) 3:45
4. Merry Go Round (Junior Delgado) 3:49
5. Sugar Plum Plum (The Wailing Souls) 3:38
6. Love and Devotion (Jimmy Riley) 3:52
7. Laying Beside You (The Tamlins) 4:46
8. Could It Be I'm Falling In Love (Home T) 4:16
9. Soldier Take Over (Yellowman) 3:59
10. Revolution, Pt. 2 (Dennis Brown) 2:38
11. Call a Taxi (Ini Kamoze) 4:12
12. Unmetered Taxi (Sly & Robbie) 3:20
13. Revolution (Dennis Brown) 4:10
14. Devil Pickney (Sugar Minott) 4:44
15. Old Broom (The Wailing Souls) 3:23
16. Soon Forward (Gregory Isaacs) 3:54
17. Have You Ever (Dennis Brown) 3:34
18. World a Music (Ini Kamoze) 3:45
19. Herbsman Hustling (Sugar Minott) 4:06
20. Oh What a Feeling (Gregory Isaacs) 3:43

Details

[Edit]

The uncannily propulsive rhythm work of drummer Sly Dunbar and bassist Robbie Shakespeare has provided the musical keystone to countless reggae classics. The two distinguished themselves as session men for producers like Joseph Hoo Kim and Bunny Lee, but it was in the late ‘70s—when they founded their own Taxi imprint—that they began to perfect the skeletal, often computer-assisted productions that helped define the evolution of Jamaican music in the ‘80s. Sounds of Taxi is a carefully curated 20-track collection of some of the best Taxi releases of the early and mid-‘80s. It includes familiar tracks like The Tamlins’ haunting, Nina Simone–inspired take on Randy Newman’s “Baltimore” and Black Uhuru’s classic roots-man anthem “Guess Who’s Coming to Dinner,” but the most exciting tracks here may be the most obscure. Gregory Isaacs’ underrated “Soon Forward”, for example, is every bit as wonderful as the slow-bubbling lovers' sides he cut in the mid-‘70s, while Dennis Brown’s “Revolution” gains menace from Dunbar's thunderous, synth pad–triggered handclaps, which anticipate the popularity of digital percussion among Jamaican producers by a number of years.