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Relax Into the Abyss

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Download links and information about Relax Into the Abyss by Snog. This album was released in 2000 and it belongs to Electronica, Industrial, Dancefloor, Dance Pop genres. It contains 15 tracks with total duration of 01:02:39 minutes.

Artist: Snog
Release date: 2000
Genre: Electronica, Industrial, Dancefloor, Dance Pop
Tracks: 15
Duration: 01:02:39
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Tracks

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No. Title Length
1. Are You Normal Enough? (Beefcake and the Burger Flippin' Blues) 4:29
2. Real Estate Man (Low-key Operations Make a Down-payment) 4:53
3. The Last Diamond (Xingu Hill Slices the Soft Earth) 3:49
4. Real Estate Man (Ubin Offer Affordable Solutions) 4:30
5. Is There No-one That Can Save Us from Today? (Spacecat Joins the Utopian Futurist Front) 5:00
6. Are You Normal Enough? (Shinjuku Filth Celebrate the Contamination) 4:03
7. Real Estate Man (Black Lung Greets the Funky Inquisition) 4:29
8. The Infernal Advocate 2:23
9. Slide Into Extinction (Shaolin Wooden Men Live in Room 23 at the Altona Motor Inn) 7:53
10. Are You Normal Enough? (End Encourage Less Normalization) 5:22
11. State Rape (Beam Up Battle Cross Channel Traffic) 4:10
12. Are You Normal Enough? (Francois Tetaz Conducts the Cacophanous Maximus) 3:29
13. The Crumbling Land 1:30
14. Chasin' and the Jargonauts 2:47
15. Oil 3:52

Details

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Relax Into the Abyss is a collection of tracks from Snog's most recent album (Third Mall From the Sun) remixed by various relatively obscure DJs. Dance remixes of industrial music are always a good idea because they usually retain the heaviness that makes industrial music fun while leavening it with rhythmic and textural variety (the lack of which being what keeps industrial music from being fun for more than a few minutes at a time). Cases in point: Xingu Hill's rolling mid-tempo take on "The Last Diamond," Black Lung's tweaked-up house mix of "Real Estate Man," and Beam Up's deeply funky realization of "State Rape" (check out the orchestra and big-band sampling on that last one). David Thrussell's stentorian voice is something of a one-trick pony, but it takes a back seat to the music on these mixes, which works very much to the music's advantage.