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Sofrito: Tropical Discotheque

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Download links and information about Sofrito: Tropical Discotheque. This album was released in 2011 and it belongs to Electronica, Dancefloor, World Music, Dance Pop genres. It contains 15 tracks with total duration of 01:14:06 minutes.

Release date: 2011
Genre: Electronica, Dancefloor, World Music, Dance Pop
Tracks: 15
Duration: 01:14:06
Buy on iTunes $9.99

Tracks

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No. Title Length
1. Quiero Amanacer (Banda Los Hijos De La Nina Luz) 3:51
2. Je ne bois pas beaucoup (Les Ya Toupas Du Zaire) 8:56
3. Pitchito (Frente Cumbiero) 4:03
4. J'arrête mal parle (Fair Nick Stars) 4:30
5. Maye Obi Den (Kyeremateng Atwede & The Kyeremateng Stars) 6:56
6. Ohue (Frankie Francis & Simbad Edit) (Victor Uwaifo) 5:34
7. Sabroso Bacalao (Su Conjunto, Adolfo Echeverria) 4:15
8. Descarga Bontempi (El Timba) 4:20
9. Dat Soca Boat (Mighty Shadow) 4:49
10. Fa'waka, Pt. 1 (Dany Play) 3:32
11. Mahu Wo Asie (Safohene Djeni) 7:15
12. Popilation basse-Terrienne au Abois (Ti Celeste) 4:32
13. Cumbia de Mochilla (Quantic Y Su Conjunto Los Míticos Del Ritmo / Quantic Y Su Conjunto Los Miticos Del Ritmo) 2:22
14. Carnival Long Ago (Roaring Lion) 4:06
15. Yiri Yiri Boum (Gnonnas Pedro) 5:05

Details

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Compiled by the people who put on the London dance party known as Sofrito, this excellent 2011 collection draws its mostly vintage tracks from a number of African and Caribbean sources. Rhythms, languages, and styles vary, and the grooves — in all their glory — are relentless. The album opens with “Quiero Amanacer” by Colombia’s Banda Los Hijos de la Nina Luz. The exuberant accordion playing and rumbling percussion should get anybody within earshot shimmying. Les Ya Toupas du Zaire’s “Jen ne bois pas beaucoup” is a slice of extraordinary Congolese soukous; it's fierce and gentle at the same time. Adolfo Echeverria y Su Conjunto’s “Sabroso Bacalao” is hard-hitting salsa, while El Timba sounds a little deranged on the superb “Descarga Bontempi.” Safohene Djeni’s “Mahu Wo Asie” is comprised of a web of guitars and keyboards that gets stabbed with high-hat accents and is topped by distinctive vocals, and Ti Celeste’s “Popilation basse-Terrienne au Abois” features great bass, chattering backup singers, and a sax solo that tickles. All and all, it feels funny to mention just some of the tracks on an album that just never lets up.