Son of God (Original Motion Picture Soundtrack)
Download links and information about Son of God (Original Motion Picture Soundtrack). This album was released in 2014 and it belongs to Theatre/Soundtrack genres. It contains 15 tracks with total duration of 01:08:27 minutes.
Release date: | 2014 |
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Genre: | Theatre/Soundtrack |
Tracks: | 15 |
Duration: | 01:08:27 |
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Tracks
[Edit]No. | Title | Length |
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1. | In the Beginning (Hans Zimmer, Lorne Balfe) | 3:47 |
2. | Through His Eyes (Hans Zimmer, Lorne Balfe) | 4:51 |
3. | Faith (feat. Lisa Gerrard) (Hans Zimmer, Lorne Balfe) | 13:05 |
4. | Roma's Lament (feat. Lisa Gerrard) (Hans Zimmer, Lorne Balfe) | 5:41 |
5. | Fisher of Men (Hans Zimmer, Lorne Balfe) | 3:06 |
6. | The Upper Room (Hans Zimmer, Lorne Balfe) | 2:57 |
7. | Promised King (feat. Lisa Gerrard) (Hans Zimmer, Lorne Balfe) | 4:32 |
8. | Truth (Hans Zimmer, Lorne Balfe) | 2:44 |
9. | Peace Be With You (feat. Lisa Gerrard) (Hans Zimmer, Lorne Balfe) | 2:48 |
10. | I Am (feat. Lisa Gerrard) (Hans Zimmer, Lorne Balfe) | 3:44 |
11. | Rise Up In Faith (feat. Lisa Gerrard) (Hans Zimmer, Lorne Balfe) | 2:48 |
12. | Mary, Did You Know? (Son of God Remix) (Cee-Lo Green) | 2:44 |
13. | Soul of a Man (Son of God Remix) (Steven Stern, George Krikes) | 4:06 |
14. | Life In Color (Son of God Remix) (OneRepublic) | 4:23 |
15. | Oceans (Son of God Remix) (Hillsong United) | 7:11 |
Details
[Edit]Hans Zimmer is renowned for his inventive soundtrack textures; he's the composer who set Man of Steel to a chamber orchestra of pedal steel guitars and crowd-sourced Dark Knight Rises’ 100,000-voice chant via the Internet. So how would he handle Jesus? A clue came in 2013, when Hans admitted he’d tired of the electronic/organic sorcery he’s acclaimed for and yearned to explore traditional orchestral writing again. Thus, this big-screen project (produced in conjunction with the History Channel’s successful 10-hour miniseries The Bible) inspired Zimmer and frequent collaborator Lorne Balfe to effectively update one of filmdom’s oldest musical genres. The composers largely eschew dominant themes in favor of a stately, elegiac atmosphere that supports the album’s spoken-word narrative, frequently using the haunting contralto of former Dead Can Dance mainstay/past Zimmer collaborator Lisa Gerrard to deepen its ethereal sense of mystery. The collection also features four highlights from the miniseries’ song score, featured here in exclusive new remixes.