The Stockholm Concerts (Live)
Download links and information about The Stockholm Concerts (Live) by Chet Baker, Stan Getz. This album was released in 1998 and it belongs to Jazz, World Music, Latin genres. It contains 23 tracks with total duration of 02:52:36 minutes.
Artist: | Chet Baker, Stan Getz |
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Release date: | 1998 |
Genre: | Jazz, World Music, Latin |
Tracks: | 23 |
Duration: | 02:52:36 |
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Tracks
[Edit]No. | Title | Length |
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1. | Anouncement (Live) (featuring Bo Stenhammar) | 1:43 |
2. | Stablemates (Live) (featuring Stan Getz Quartet) | 10:50 |
3. | We'll Be Together Again (Live) (featuring Stan Getz Quartet) | 7:42 |
4. | On the Up and Up (Live) (featuring Stan Getz Quartet) | 10:52 |
5. | How Long Has This Been Going On? (Live) (featuring Stan Getz Quartet) | 5:53 |
6. | O Grande Amor (Live) (featuring Stan Getz Quartet) | 7:08 |
7. | Just Friends (Live) (featuring Stan Getz Quartet) | 11:09 |
8. | My Funny Valentine (Live) (featuring Stan Getz Quartet) | 9:00 |
9. | Sippin' At Bells (Live) (featuring Stan Getz Quartet) | 8:40 |
10. | Stella By Starlight (Live) | 5:40 |
11. | Airegin (Live) (featuring Stan Getz Quartet) | 7:50 |
12. | The Baggage Room Blues (Live) (featuring Stan Getz Quartet) | 8:33 |
13. | We'll Be Together Again (2nd Concert Version) | 7:33 |
14. | I'll Remember April (Live) (featuring Stan Getz Quartet) | 11:10 |
15. | Annoucement (Live) | 1:25 |
16. | Just Friends (Live) | 8:38 |
17. | My Funny Valentine (Live) | 8:22 |
18. | Sippin' At Bell's (Live) (featuring Stan Getz Quartet) | 9:02 |
19. | Blood Count (Live) (featuring Stan Getz Quartet) | 5:04 |
20. | Milestones (Live) (featuring Stan Getz Quartet) | 9:55 |
21. | Airegin (Live) (featuring Stan Getz Quartet) | 8:47 |
22. | Dear Old Stockholm (Live) (featuring Stan Getz Quartet) | 5:28 |
23. | Line for Lyons (Live) | 2:12 |
Details
[Edit]According to this set's annotator, Mike Hennessey, and Stan Getz's biographer, Donald Maggin, the circumstances surrounding the making of these 1983 recordings was unpleasant in the extreme. For various reasons, Getz was unhappy to be concertizing with Baker and forced him out before the 35-date tour was halfway finished. Before Baker left, however, the men played a pair of concerts in Stockholm, which were fortunately recorded for posterity. Fortunately not because Getz and Baker shared any special rapport that led to a classic performance, but because the resulting album gives listeners another example of how wonderful a player Chet Baker was, even after years of drug addiction and general dissolution. Getz is his typical self — lyrical, facile almost to the point of glibness, but musical nevertheless. Baker, on the other hand, is as he ever was — one of the most spontaneously creative, emotionally compelling voices in jazz. The band is good if unspectacular; drummer Victor Lewis was a particularly nice choice in that he could drive a band like this without overwhelming the rather brittle lead voices. And Getz is excellent; if you're a Getz fan, he's in fine form here, so you won't be disappointed. Baker, on the other hand, is superb; it's his inimitable musicality that ultimately makes this rather pricey three-disc set a bargain.