Getz Plays Jobim: The Girl from Ipanema
Download links and information about Getz Plays Jobim: The Girl from Ipanema by Stan Getz. This album was released in 2002 and it belongs to Latin genres. It contains 9 tracks with total duration of 42:05 minutes.
Artist: | Stan Getz |
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Release date: | 2002 |
Genre: | Latin |
Tracks: | 9 |
Duration: | 42:05 |
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Tracks
[Edit]No. | Title | Length |
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1. | Corcovado (Quiet Nights of Quiet Stars) (featuring Astrud Gilberto, Antonio Carlos Jobim, João Gilberto / Joao Gilberto) | 4:14 |
2. | O Morro Não Tem Vez (featuring Antonio Carlos Jobim, María Toledo / Maria Toledo, Luiz Bonfá / Luiz Bonfa) | 6:53 |
3. | Vivo Sohando (featuring Antonio Carlos Jobim, João Gilberto / Joao Gilberto) | 2:53 |
4. | Samba de Uma Nota So (featuring Charlie Byrd) | 6:11 |
5. | Eu E Voce (Me and You) (featuring Astrud Gilberto, Stan Getz Quartet) | 2:29 |
6. | Desafinado (featuring João Gilberto / Joao Gilberto) | 4:12 |
7. | Once Again (Outre Vez) | 6:41 |
8. | O Grande Amor (featuring Antonio Carlos Jobim, João Gilberto / Joao Gilberto) | 5:25 |
9. | One Note Samba (Vocal) (featuring Astrud Gilberto, Stan Getz Quartet) | 3:07 |
Details
[Edit]Simply put, here are the most successful 14 cuts covering two years in the collaboration between Stan Getz and Antonio Carlos Jobim, during which both men became accustomed to having hit singles. Unfortunately, only one of them got to ride that horse for the rest of the decade — in the United States, anyway. Nonetheless, this material marks the Americans obsession with the bossa nova and was the music that made Getz and Jobim household names for a while — after all, we were just climbing out of the "swinging bachelor pad" music era and still had all those weird hi fi records to explore. Seriously though, the great sensitivity shown by Getz for this material, and the adventurousness of Jobim were a match made in heaven and would change the faces of jazz and Brazilian pop forever. This is a fine collection for anyone interested in bossa, and Getz in this period as well.