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Spectral Mornings (Deluxe)

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Download links and information about Spectral Mornings (Deluxe) by Steve Hackett. This album was released in 1979 and it belongs to Rock, Progressive Rock genres. It contains 19 tracks with total duration of 01:26:45 minutes.

Artist: Steve Hackett
Release date: 1979
Genre: Rock, Progressive Rock
Tracks: 19
Duration: 01:26:45
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Tracks

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No. Title Length
1. Every Day (Remastered 2005) 6:12
2. The Virgin and the Gypsy (Remastered 2005) 4:30
3. The Red Flower of Tachai Blooms Everywhere (Remastered 2005) 2:05
4. Clocks - The Angel of Mons (Remastered 2005) 4:17
5. The Ballad of the Decomposing Man (Remastered 2005) 3:48
6. Lost Time In Cordoba (Remastered 2005) 4:06
7. Tigermoth (Remastered 2005) 7:35
8. Spectral Mornings (Remastered 2005) 6:35
9. Every Day (Single Version) 2:43
10. Clocks - The Angel of Mons (Single Version / 2005 Remaster) 3:36
11. The Caretaker 1:40
12. Every Day (Stereo Mix) 6:25
13. The Virgin and the Gypsy (Stereo Mix) 4:30
14. The Red Flower of Tachai Blooms Everywhere (Stereo Mix) 2:10
15. Clocks - The Angel of Mons (Stereo Mix) 4:26
16. The Ballad of the Decomposing Man (Stereo Mix) 3:49
17. Lost Time In Cordoba (Stereo Mix) 4:11
18. Tigermoth (Stereo Mix) 7:35
19. Spectral Mornings (Stereo Mix) 6:32

Details

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To his credit, Steve Hackett learned from the mistakes made on Please Don't Touch!, and delivered a much-improved mix of songs and instrumentals on 1975's Spectral Mornings. With a workable backing band that includes John Shearer, Nick Magnus, and former Decameron bassist Dik Cadbury, the ex-Genesis guitarist exploits his strengths: progressive instrumentals that skip between heaven and hell, pastoral pop songs, and a healthy dose of English humor. Vocalist Peter Hicks takes the lead on a few tracks, and as the honey-fied "The Virgin and the Gypsy" makes clear, his voice is much better suited to the material than Richie Havens'. Hackett's lone vocal cameo, "The Ballad of the Decomposing Man," is a Pythonesque treat. The guitar work is typically top-notch, equally effective in acoustic sections that feature John Hackett's flute and in tempestuous arrangements where Hackett's trademark electric guitar pierces through the chaos. The guitarist also extends his range to the Cantonese koto (presumably a variation on the Japanese koto) for the delicate instrumental "The Red Flower of Tachai Blooms Everywhere"; in typically mischievous fashion, it lulls the listener into a false sense of relaxation before the sonic onslaught of "Clocks — The Angel of Mons." For many, Voyage of the Acolyte is the definitive Hackett record, but Spectral Mornings is more indicative of his range as a solo artist. The music is true to progressive rock in sound if not in scope, a trait which endears Hackett to Genesis fans who found that band's subsequent commercialization distasteful. [The U.K. release of this CD contains bonus and live tracks.]