The Absolute Uncontrollable
Download links and information about The Absolute Uncontrollable by Swift. This album was released in 2005 and it belongs to Rock, Hard Rock, Metal, Heavy Metal, Alternative genres. It contains 12 tracks with total duration of 50:02 minutes.
Artist: | Swift |
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Release date: | 2005 |
Genre: | Rock, Hard Rock, Metal, Heavy Metal, Alternative |
Tracks: | 12 |
Duration: | 50:02 |
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Tracks
[Edit]No. | Title | Length |
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1. | Charger (Remixed and Remastered) | 4:24 |
2. | Release the Wolves (Remixed and Remastered) | 3:37 |
3. | Silent Celebration (Remixed and Remastered) | 4:24 |
4. | Terms of Endearment (Remixed and Remastered) | 3:39 |
5. | Questions and Lies (Remixed and Remastered) | 3:42 |
6. | Respect the Blade (Remixed and Remastered) | 3:30 |
7. | When People Collude (Remixed and Remastered) | 3:28 |
8. | Bending Back As Far As I Can (Remixed and Remastered) | 3:14 |
9. | 60fps (Remixed and Remastered) | 3:31 |
10. | Anticoagulant (Remixed and Remastered) | 4:43 |
11. | Join the Dragonlord (Remixed and Remastered) | 7:10 |
12. | ....Built Us a House (Remixed and Remastered) | 4:40 |
Details
[Edit]On their fourth album, Swift complete the transformation from a metal-influenced post-hardcore band into a straightforward mainstream metal band. Mid-tempo riffery is the bedrock of The Absolute Uncontrollable, with vocals that alternate between a hoarse bark (neither as deep nor as inadvertently comical as the clichéd "death grunt" vocal) and a completely clean mainstream metal croon that's not far removed from the likes of Linkin Park. In fact, it sounds really weird when the barking voice joins in on the fadeout chorus of "Release the Wolves," in the midst of an otherwise radio-friendly, anthemic, and catchy tune. The album even ends on a suitably epic note, with the multi-part dramatics of the nearly eight-minute "Join the Dragonlord" followed up by the album-closing "...Built Us a House," a spaghetti Western ballad based on propulsively strummed acoustic guitars, subtle strings, and sensitive falsetto vocals. It's an unexpected ending to an otherwise hard-rocking album, but one that suggests that Swift are moving past their original stylistic parameters.