The Aladdin Records Story
Download links and information about The Aladdin Records Story. This album was released in 2011 and it belongs to Pop genres. It contains 53 tracks with total duration of 02:22:31 minutes.
Release date: | 2011 |
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Genre: | Pop |
Tracks: | 53 |
Duration: | 02:22:31 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Flying Home, Pt. 1 & 2 (Illinois Jacquet) | 5:06 |
2. | Be Baba Leba (Helen Humes) | 2:41 |
3. | Drifting Blues (Johnny Moore'S Three Blazers) | 3:16 |
4. | When I'm In My Tea (Maxwell Davis, Jo Jo Adams) | 3:14 |
5. | (I Don't Stand a) Ghost of a Chance (Wynonie Harris) | 2:47 |
6. | Mother Fuyer (Dirty Red) | 2:26 |
7. | He May Be Your Man (Helen Humes, Bill Doggett) | 2:58 |
8. | Milky White Way (The Cookies) | 2:32 |
9. | Guitar In My Hand (Clarence) | 2:44 |
10. | Too Late (The Five Keys) | 2:38 |
11. | Chicken-Shack Boogie (Amos Milburn) | 2:50 |
12. | Loch Lomond (The Rockets) | 2:25 |
13. | Shotgun Blues (Lightnin' Hopkins) | 2:40 |
14. | Around About Midnite (The Robins) | 2:44 |
15. | The Glory of Love (The Five Keys) | 3:09 |
16. | Safronia B (Calvin Boze) | 2:22 |
17. | Trouble Blues (Charles Brown) | 2:23 |
18. | I Got Loaded (Peppermint Harris) | 2:29 |
19. | Sad Journey Blues (Floyd Dixon) | 2:48 |
20. | Dad Gum Ya Hide Boy (Louis Jordan And His Tympany Five) | 2:37 |
21. | Hucklebuck With Jimmy (The Five Keys) | 2:22 |
22. | Way Down Boogie (Harold Burrage, Jimmy Binkley) | 2:51 |
23. | Blue Turning Grey Over You (Billie Holiday, Tiny Grimes And His Rocking Highlanders) | 2:01 |
24. | Feel So Good (Shirley And Lee) | 2:50 |
25. | Telephone Blues (Floyd Dixon) | 3:15 |
26. | Ko Ko Mo (I Love You So) (Gene & Eunice) | 2:48 |
27. | Let the Good Times Roll (Remastered) (Shirley And Lee) | 2:24 |
28. | How Long (The Five Keys) | 3:19 |
29. | I Need You, I Want You (Jack) | 2:41 |
30. | Don't Let Go (Hold Me, Hold Me, Hold Me) (The Cookies) | 2:33 |
31. | Messy Bessy (Louis Jordan) | 2:41 |
32. | This Is My Story (Remastered) (Gene & Eunice) | 2:17 |
33. | Don't Leave Me Baby (Lowell Fulson) | 3:00 |
34. | Call Operator 210 (Floyd Dixon) | 3:00 |
35. | Ding Dong Ding (Bop, Bip, Johnnys Combo) | 3:01 |
36. | Remember (Aladdins) | 2:25 |
37. | Rockin' With the Clock (Shirley And Lee) | 2:36 |
38. | Honest I Do (The Audios, Cell Foster) | 2:16 |
39. | Rockin' At Cosmo's (Lee Allen) | 2:50 |
40. | Be Cool My Heart (Fats Theus) | 3:02 |
41. | I'm So High (The Five Keys) | 2:35 |
42. | I'm In the Mood for Love (King Pleasure) | 2:41 |
43. | Ray Pearl (The Jivers) | 2:04 |
44. | Dreamy Eyes (The Squires) | 2:02 |
45. | Yak Yak (Marvin & Johnny) | 2:34 |
46. | The Glory of Love (Velvetones) | 2:54 |
47. | Darling It's Wonderful (Ray Ellis) | 2:55 |
48. | Our Love Is Here to Stay (The Sharps) | 2:58 |
49. | King Kong (Big 'T' Tyler) | 2:03 |
50. | Smack, Smack (Marvin & Johnny) | 1:54 |
51. | Little Girl In the Cabin (P. F. Sloan) | 2:19 |
52. | Sugar Doll (Jesse Belvin) | 2:10 |
53. | Little Bitty Pretty One (Thurston Harris, The Sharps) | 2:21 |
Details
[Edit]In the decade following World War II a multitude of independent labels arose to meet the demands of a reinvigorated record-buying public. Among these was a handful that would help to redefine the sound of American Rhythm & Blues, replacing the big-band sound of the ‘30s with a rowdier style that appealed directly to a populace looking to celebrate the end of wartime hardships. Los Angeles’ Aladdin Records was one of the finest of these labels. This 53-track collection gathers together some of Aladdin’s greatest sides, beginning with the label’s inaugural release, Illinois Jacquet’s storming 1945 hit “Flying Home,” and ending with its second-to-last- charting single, Thurston Harris’ “Little Bitty Pretty One.” At Aladdin, the raucous New Orleans R&B of Shirley & Lee’s “Let the Good Times Roll” could coexist peacefully with the comparatively uptown sound of Tiny Grimes & Billie Holiday’s “Blue Turning Grey Over You”, and the harsh, unadorned country blues of Texas songster Lightning Hopkins. The Aladdin Records Story is a concise and smartly conceived introduction to one of the greatest labels of the post-war era.