The Bis-quits

The Bis-Quits counted among their ranks some of the best-known and most-respected Nashville rock musicians. They quickly became a major draw and released their self-titled debut through John Prine's Oh Boy imprint. With the two-headed talents of guitarists/vocalists/songwriters Tommy Womack and Will Kimbrough, along with bassist Mike Grimes, the musicianship is top-notch even as the garage aesthetic lends considerable charm to the outing. Songs like the power pop of "Tommy's on His Own" and the crisp, playful demeanor of "Anal All Day" are as joyously silly as the lyrics imply. However, the insightful, clever songwriting reveals depth on other songs like the smoldering, blues-rock of "Betty Was Black (Willie Was White)," which deals with an interracial relationship. They also do a gorgeous version of Richard Thompson's heartbreaking ballad "Walking on a Wire" (included as a live version). The emphasis is mostly on creating a gloriously fun racket, though, and a listener would be hard-pressed to find a song more engaging than the deft-blend of Handel and Chuck Berry on the inspired "Yo Yo Ma."