A Faith In Song
Download links and information about A Faith In Song by The Cantors. This album was released in 2003 and it belongs to genres. It contains 18 tracks with total duration of 01:13:48 minutes.
Artist: | The Cantors |
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Release date: | 2003 |
Genre: | |
Tracks: | 18 |
Duration: | 01:13:48 |
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Tracks
[Edit]No. | Title | Length |
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1. | Avinu Malkenu (featuring Jules Van Hessen) | 4:24 |
2. | Ki Lo Noeh (featuring Jules Van Hessen) | 4:37 |
3. | Oyfn Pripitchick (featuring Jules Van Hessen) | 3:57 |
4. | Yerusholayim Shel Zahov (featuring Jules Van Hessen) | 3:16 |
5. | Mayn Yiddishe Mama (featuring Jules Van Hessen) | 4:50 |
6. | Sunrise, Sunset (featuring Jules Van Hessen) | 2:49 |
7. | Kol Nidr (featuring Jules Van Hessen) | 6:38 |
8. | Ye'did Nefesh (featuring Jules Van Hessen) | 3:03 |
9. | Kaddish (featuring Jules Van Hessen) | 4:13 |
10. | Habet (featuring Jules Van Hessen) | 7:29 |
11. | Rozhinkes Mit Mandeln (featuring Jules Van Hessen) | 4:02 |
12. | Hevenu Shalom Aleichem - Sephardic Medley (featuring Jules Van Hessen) | 2:05 |
13. | Yo M'enamori Dun Aire (featuring Jules Van Hessen) | 2:06 |
14. | Los Biblicos (featuring Jules Van Hessen) | 1:37 |
15. | Cuando el Rey Nimrod (featuring Jules Van Hessen) | 2:45 |
16. | V'lirushalayim Ircho (featuring Jules Van Hessen) | 11:03 |
17. | Tzena Tzena (featuring Jules Van Hessen) | 2:05 |
18. | Tumbalalaika (featuring Jules Van Hessen) | 2:49 |
Details
[Edit]Coming together for a single concert here is something of a supergroup of Jewish cantors. Alberto Mizrahi of Chicago, Benzion Miller of Brooklyn, and Naftali Herstik of Jerusalem are joined by London's Ne'imah Singers in the grand old Portuguese Synagogue of Amsterdam, which lets the listener partake in some exquisite acoustics as well. As with any good bout of cantorial music, the sound is incredible, with the power of the voices singly awe-inspiring, but together rivaling the better-known Three Tenors or similar. With the force of the Netherlands Theater Orchestra behind them, they can nearly overpower the recording equipment. The songs range around the sphere of Jewish influence, from proper synagogue cantorials to Yiddish folk to Sephardic ballads, to an occasional show tune. The musical quality remains high, and perhaps most importantly shows off the many sides of the repertoire of a good cantor, from the religious to the secular (a bit) and the spectrum between these ends. For someone interested in one of the more traditional and dignified forms of Jewish music, this album might not be a bad choice.