Sound System
Download links and information about Sound System by The Clash. This album was released in 2013 and it belongs to Electronica, Rock, Hard Rock, Rock & Roll, Punk, Heavy Metal, Dancefloor, Pop, Dance Pop, Alternative genres. It contains 193 tracks with total duration of 12:05:49 minutes.
Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Janie Jones | 2:07 |
2. | Remote Control | 3:03 |
3. | I'm So Bored With the U.S.A. | 2:24 |
4. | White Riot | 1:56 |
5. | Hate & War | 2:06 |
6. | What's My Name | 1:41 |
7. | Deny | 3:06 |
8. | London's Burning | 2:11 |
9. | Career Opportunities | 1:54 |
10. | Cheat | 2:06 |
11. | Protex Blue | 1:47 |
12. | Police and Thieves | 6:03 |
13. | 48 Hours | 1:36 |
14. | Garageland | 3:11 |
15. | Safe European Home | 3:49 |
16. | English Civil War | 2:35 |
17. | Tommy Gun | 3:17 |
18. | Julie's Been Working for the Drug Squad | 3:03 |
19. | Last Gang In Town | 5:13 |
20. | Guns On the Roof | 3:15 |
21. | Drug-Stabbing Time | 3:43 |
22. | Stay Free | 3:40 |
23. | Cheapskates | 3:24 |
24. | All the Young Punks (New Boots and Contracts) | 4:56 |
25. | London Calling | 3:19 |
26. | Brand New Cadillac | 2:08 |
27. | Jimmy Jazz | 3:54 |
28. | Hateful | 2:43 |
29. | Rudie Can't Fail | 3:28 |
30. | Spanish Bombs | 3:18 |
31. | The Right Profile | 3:54 |
32. | Lost In the Supermarket | 3:47 |
33. | Clampdown | 3:49 |
34. | The Guns of Brixton | 3:10 |
35. | Wrong 'Em Boyo | 3:10 |
36. | Death or Glory | 3:54 |
37. | Koka Kola | 1:47 |
38. | The Card Cheat | 3:49 |
39. | Lover's Rock | 4:03 |
40. | Four Horsemen | 2:55 |
41. | I'm Not Down | 3:06 |
42. | Revolution Rock | 5:33 |
43. | Train In Vain | 3:12 |
44. | The Magnificent Seven | 5:32 |
45. | Hitsville U.K. | 4:21 |
46. | Junco Partner | 4:52 |
47. | Ivan Meets G.I. Joe | 3:05 |
48. | The Leader | 1:42 |
49. | Something About England | 3:43 |
50. | Rebel Waltz | 3:26 |
51. | Look Here | 2:45 |
52. | The Crooked Beat | 5:28 |
53. | Somebody Got Murdered | 3:34 |
54. | One More Time | 3:31 |
55. | One More Dub | 3:35 |
56. | Lightning Strikes (Not Once But Twice) | 4:50 |
57. | Up In Heaven (Not Only Here) | 4:32 |
58. | Corner Soul | 2:42 |
59. | Let's Go Crazy | 4:24 |
60. | If Music Could Talk | 4:36 |
61. | The Sound of Sinners | 4:01 |
62. | Police On My Back | 3:16 |
63. | Midnight Log | 2:09 |
64. | The Equaliser | 5:46 |
65. | The Call Up | 5:28 |
66. | Washington Bullets | 3:51 |
67. | Broadway | 5:48 |
68. | Lose This Skin | 5:08 |
69. | Charlie Don't Surf | 4:54 |
70. | Mensforth Hill | 3:41 |
71. | Junkie Slip | 2:49 |
72. | Kingston Advice | 2:37 |
73. | The Street Parade | 3:27 |
74. | Version City | 4:22 |
75. | Living In Fame | 4:50 |
76. | Silicone On Sapphire | 4:16 |
77. | Version Pardner | 5:23 |
78. | Career Opportunities | 2:30 |
79. | Shepherds Delight | 3:27 |
80. | Know Your Rights | 3:40 |
81. | Car Jamming | 3:59 |
82. | Should I Stay or Should I Go | 3:08 |
83. | Rock the Casbah | 3:42 |
84. | Red Angel Dragnet | 3:44 |
85. | Straight to Hell | 5:30 |
86. | Overpowered By Funk | 4:52 |
87. | Atom Tan | 2:30 |
88. | Sean Flynn | 4:31 |
89. | Ghetto Defendant | 4:43 |
90. | Inoculated City | 2:41 |
91. | Death Is a Star | 3:14 |
92. | Kosmo Vinyl Introduction (Live) | 1:10 |
93. | London Calling (Live) | 3:29 |
94. | Police On My Back (Live) | 3:28 |
95. | The Guns of Brixton (Live) | 4:07 |
96. | Tommy Gun (Live) | 3:19 |
97. | The Magnificent Seven (Live) | 2:33 |
98. | Armagideon Time (Live) | 2:55 |
99. | The Magnificent Seven (Return) [Live] | 2:23 |
100. | Rock the Casbah (Live) | 3:21 |
101. | Train In Vain (Live) | 3:45 |
102. | Career Opportunities (Live) | 2:06 |
103. | Spanish Bombs (Live) | 3:18 |
104. | Clampdown (Live) | 4:26 |
105. | English Civil War (Live) | 2:39 |
106. | Should I Stay or Should I Go (Live) | 2:44 |
107. | I Fought the Law (Live) | 3:21 |
108. | Complete Control (Live) | 3:45 |
109. | London's Burning (Live) | 2:02 |
110. | What's My Name (Live) | 1:45 |
111. | Clash City Rockers (Live) | 3:29 |
112. | Career Opportunities (Live) | 2:06 |
113. | (White Man) In Hammersmith Palais (Live) | 4:25 |
114. | Capital Radio (Live) | 3:00 |
115. | City of the Dead (Live) | 2:47 |
116. | I Fought the Law (Live) | 2:35 |
117. | London Calling (Live) | 3:29 |
118. | Armagideon Time (Live) | 5:04 |
119. | Train In Vain (Live) | 4:42 |
120. | The Guns of Brixton (Live) | 3:35 |
121. | The Magnificent Seven (Live) | 6:09 |
122. | Know Your Rights (Live) | 4:05 |
123. | Should I Stay or Should I Go (Live) | 3:15 |
124. | Straight to Hell (Live) | 7:08 |
125. | Drug-Stabbing Time (Live) | 3:33 |
126. | Janie Jones (Live) | 2:46 |
127. | White Riot | 1:59 |
128. | 1977 | 1:40 |
129. | Listen / Interviews | 11:08 |
130. | Capital Radio | 2:08 |
131. | London's Burning | 2:11 |
132. | Complete Control | 3:13 |
133. | City of the Dead | 2:22 |
134. | Clash City Rockers | 3:57 |
135. | Jail Guitar Doors | 3:04 |
136. | (White Man) In Hammersmith Palais | 4:01 |
137. | The Prisoner | 3:03 |
138. | 1-2 Crush On You | 2:59 |
139. | Time Is Tight | 4:04 |
140. | Pressure Drop | 3:25 |
141. | I Fought the Law | 2:43 |
142. | Groovy Times | 3:26 |
143. | Gates of the West | 3:25 |
144. | Capital Radio | 3:20 |
145. | Armagideon Time | 3:52 |
146. | Bankrobber | 4:33 |
147. | Rockers Galore...UK Tour (feat. Mikey Dread) | 4:39 |
148. | The Magnificent Dance | 5:36 |
149. | Midnight to Stevens (Outtake) | 4:36 |
150. | Radio One | 6:17 |
151. | Stop the World | 2:32 |
152. | The Cool Out | 3:53 |
153. | This Is Radio Clash | 4:11 |
154. | This Is Radio Clash (Different Lyrics) | 4:11 |
155. | First Night Back In London | 2:59 |
156. | Rock the Casbah (Bob Clearmountain Mix) | 3:42 |
157. | Long Time Jerk | 5:08 |
158. | The Beautiful People Are Ugly Too (Outtake) | 3:46 |
159. | Idle In Kangaroo Court | 5:04 |
160. | Ghetto Defendant (Extended Unedited Version) | 6:13 |
161. | Cool Confusion | 3:12 |
162. | Sean Flynn (Extended 'Marcus Music' Version) | 7:22 |
163. | Straight to Hell (Extended Unedited Version) | 6:50 |
164. | I'm So Bored With the U.S.A. (Beaconsfield Film School Session) | 2:22 |
165. | London's Burning (Beaconsfield Film School Session) | 1:57 |
166. | White Riot (Beaconsfield Film School Session) | 1:53 |
167. | 1977 (Beaconsfield Film School Session) | 1:50 |
168. | Janie Jones (Polydor Demos) | 2:05 |
169. | Career Opportunities (Polydor Demos) | 1:53 |
170. | London's Burning (Polydor Demos) | 1:58 |
171. | 1977 (Polydor Demos) | 1:40 |
172. | White Riot (Polydor Demos) | 1:58 |
173. | City of the Dead (Live At the Lyceum) | 2:55 |
174. | Jail Guitar Doors (Live At the Lyceum) | 3:02 |
175. | English Civil War (Live At the Lyceum) | 2:31 |
176. | Stay Free (Live At the Lyceum) | 3:27 |
177. | Cheapskates (Live At the Lyceum) | 3:12 |
178. | I Fought the Law (Live At the Lyceum) | 2:25 |
179. | Julien Temple Archive | 6:16 |
180. | White Riot Interview | 7:08 |
181. | Sussex University 1977 | 8:28 |
182. | Don Letts Super 8 Medley | 11:45 |
183. | Clash On Broadway | 22:27 |
184. | Tommy Gun | 3:13 |
185. | London Calling | 3:14 |
186. | Bankrobber | 4:18 |
187. | Clampdown (Live At the Lewisham Odeon) | 4:31 |
188. | Train In Vain (Live At the Lewisham Odeon) | 3:47 |
189. | The Call Up | 5:04 |
190. | Rock the Casbah | 3:39 |
191. | Radio Clash | 4:05 |
192. | Should I Stay or Should I Go (Live At Shea Stadium) | 3:38 |
193. | Career Opportunities (Live At Shea Stadium) | 2:00 |
Details
[Edit]If one is looking for the ultimate one-stop shop for one of rock 'n' roll's greatest bands then look no further than The Clash's Sound System. This set includes almost every studio track the original band made commercially available, including the group's five albums—the UK version of The Clash, Give 'Em Enough Rope, London Calling, Sandinista!, Combat Rock—and then 52 additional audio tracks and 15 video selections that include everything from early demos to interviews to incendiary live performances. The Cost of Living EP, Super Black Market Clash, the classic "White Man In Hammersmith Palais," "Clash City Rockers," "Bankrobber" and "This Is Radio Clash" (a- and b-side) singles all combine to tell a tale that sounds as vibrant today as it did in the late 1970s and early 1980s. 'The Only Band That Matters' may have been an overstatement, but not by much.