The Cravats in Toytown (Double Volume)
Download links and information about The Cravats in Toytown (Double Volume) by The Cravats. This album was released in 1980 and it belongs to Rock, Alternative genres. It contains 45 tracks with total duration of 02:13:13 minutes.
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| Artist: | The Cravats |
| Release date: | 1980 |
| Genre: | Rock, Alternative |
| Tracks: | 45 |
| Duration: | 02:13:13 |
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Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Still | 2:20 |
| 2. | In Your Eyes | 2:26 |
| 3. | Welcome | 2:14 |
| 4. | Interlude - Dralon | 0:42 |
| 5. | Pressure Sellers | 4:09 |
| 6. | One in a Thousand | 2:14 |
| 7. | Interlude - Spoons | 0:30 |
| 8. | Xmp | 2:28 |
| 9. | All Around the Corner | 2:51 |
| 10. | Ceasing to Be | 2:20 |
| 11. | Gordon | 3:23 |
| 12. | Interlude - Streets | 0:57 |
| 13. | Live for Now | 1:05 |
| 14. | Tears On My Machine | 2:45 |
| 15. | The Hole | 1:55 |
| 16. | All On Standby | 4:28 |
| 17. | Triplex Zone | 2:49 |
| 18. | Interlude - Training Aid | 0:20 |
| 19. | Gordon | 4:02 |
| 20. | Situations Vacant | 3:37 |
| 21. | Burning Bridges | 2:26 |
| 22. | I Hate the Universe | 3:13 |
| 23. | The End | 3:09 |
| 24. | Precinct | 2:29 |
| 25. | Who's in Here With Me | 5:03 |
| 26. | You're Driving Me | 4:47 |
| 27. | I Am the Dreg | 3:20 |
| 28. | Off the Beach | 2:49 |
| 29. | And the Sun Shone | 4:49 |
| 30. | Still | 2:32 |
| 31. | In Your Eyes | 2:57 |
| 32. | Welcome | 2:26 |
| 33. | Pressure Sellers | 4:23 |
| 34. | One in a Thousand | 2:28 |
| 35. | Xmp | 3:13 |
| 36. | All Around the Corner | 3:10 |
| 37. | Ceasing to Be | 2:27 |
| 38. | Gordon | 3:24 |
| 39. | Live for Now | 2:08 |
| 40. | Tears On My Machine | 2:49 |
| 41. | The Hole | 2:00 |
| 42. | All On Standby | 6:30 |
| 43. | Triplex Zone | 3:00 |
| 44. | When Will We Fall | 3:19 |
| 45. | Who's In Here With Me | 6:47 |
Details
[Edit]In Toytown was one of the rare missing links between the clang of early Joy Division ("Warsaw," "Digital") and the desperate post-punk psycho din of the Cardiacs, Eyeless in Gaza, and, to some extent, the Violent Femmes. Songs rarely broke the three-minute mark, choruses were trampled at a moment's notice, and Richard London's barrage of brass gave the impression that he was hearing a considerably different song than everyone else. Blur's "Fried" would later lift from tracks like "Live for Now" wholesale, but this was bleaker than almost anything that followed, distorted and suggestive and ultimately listenable.