Room to Live: Undilutable Slang Truth!
Download links and information about Room to Live: Undilutable Slang Truth! by The Fall. This album was released in 1982 and it belongs to Rock, Alternative genres. It contains 13 tracks with total duration of 01:17:07 minutes.
Artist: | The Fall |
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Release date: | 1982 |
Genre: | Rock, Alternative |
Tracks: | 13 |
Duration: | 01:17:07 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Joker Hysterical Face | 4:48 |
2. | Marquis Cha-Cha | 4:31 |
3. | Hard Life In Country | 6:12 |
4. | Room to Live | 4:14 |
5. | Detective Instinct | 5:42 |
6. | Solicitor In Studio | 5:21 |
7. | Papal Visit | 5:33 |
8. | Joker Hysterical Face (Live) [Bonus Track] | 4:47 |
9. | Town Called Crappy / Solicitor In Studio (Live) [Bonus Track] | 6:30 |
10. | Hard Life In Country (Live) [Bonus Track] | 8:32 |
11. | Detective Instinct (Live) [Bonus Track] | 7:12 |
12. | Room to Live (Live) [Bonus Track] | 4:32 |
13. | Words of Expectation (Live) [Bonus Track] | 9:13 |
Details
[Edit]Room to Live originally appeared in 1982 and remains as essential to the Fall's discography as the previous year's Slates EP. Room to Live was similarly one of the great Fall collections of this era that was too short to be called an album and too long to be an EP or single. Its seven tracks epitomize the "Undilutable Slang Truth!" — the phrase scrawled across the cover — which in Mark E. Smith dialect translates as possibly the most archly political and scathing collection of diatribes the Manchester legend spewed forth onto record during what is arguably the group's creative peak. Room to Live marks one of the most inspired periods of the group, the era that produced the masterful Hex Enduction Hour and was in part fueled in by the political upheaval in England circa 1982 during the Falklands War (the subject became a bone of contention with many artists, yet few railed so spitefully as the Fall). Mark E. Smith is at his very best lyrically when getting riled up against the middle class, such as on "Hard Life in Country" and the hilarious "Solicitor in Studio." The latter track gathers a chugging momentum until peaking in uncontrollable feedback, and contains some of the most experimental and risky instrumental behavior his supporting cast ever brought to the studio. Room to Live may be a short, sharp stab of chaos, yet it remains undeniably one of the greatest pieces of post-punk genius the group ever recorded.