Experiments In Mass Appeal
Download links and information about Experiments In Mass Appeal by The Frost. This album was released in 2010 and it belongs to Rock, Progressive Rock, Metal, Alternative genres. It contains 9 tracks with total duration of 56:44 minutes.
Artist: | The Frost |
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Release date: | 2010 |
Genre: | Rock, Progressive Rock, Metal, Alternative |
Tracks: | 9 |
Duration: | 56:44 |
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Tracks
[Edit]No. | Title | Length |
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1. | Experiments In Mass Appeal | 7:57 |
2. | Welcome to Nowhere | 5:31 |
3. | Pocket Sun | 4:29 |
4. | Saline | 6:08 |
5. | Dear Dead Days | 6:50 |
6. | Falling Down | 5:49 |
7. | You/I | 1:06 |
8. | Toys | 3:06 |
9. | Wonderland | 15:48 |
Details
[Edit]British producer/songwriter Jem Godfrey is known for his work with commercial popsters like Atomic Kitten, Holly Valance, Cherie, and the all-female Swedish group Play; he has a long list of Top 40 and dance-pop credits on his résumé. But Godfrey's band Frost* doesn't sound anything like the aforementioned artists. Frequently hard-rocking but usually moody, introspective, and melancholy, Frost's second full-length album, Experiments in Mass Appeal, definitely won't be mistaken for glossy, escapist dance-pop. Frost* have often been described as "neo-prog," which isn't misleading but doesn't quite tell the whole story, either. Experiments in Mass Appeal is best described as a mixture of alternative pop/rock and progressive rock; there is a prog element on gloomy tracks such as "Saline," "Welcome to Nowhere," and "Falling Down," but alternative pop/rock is really the album's main ingredient. This 2008 release never makes a conscious effort to emulate Pink Floyd, Yes, Genesis, Rush, King Crimson, or any other progressive rockers who were big in the 1970s; Experiments in Mass Appeal is an album that could only come about in a post-Nevermind, post-Kurt Cobain world. So if one is going to call Frost*'s brooding work "neo-prog," it is important to understand that alternative is the "neo" part. Given that Frost* are such a departure from all the slick dance-pop that Godfrey has produced and/or written, it is clear that he was being very ironic when he called this album Experiments in Mass Appeal — and even though this type of material isn't without commercial appeal (alternative pop/rock artists have been enjoying mainstream status and headlining huge soccer stadiums for a long time), Frost* aren't blatantly commercial in the way that Atomic Kitten and Valance are blatantly commercial. Experiments in Mass Appeal is mildly uneven; some of the songs work better than others. But all things considered, Godfrey does a decent job of showing listeners what he has to offer when he unites alternative pop/rock with elements of progressive rock.