III
Download links and information about III by The Fucking Champs. This album was released in 1997 and it belongs to Rock, Indie Rock, Metal, Alternative genres. It contains 25 tracks with total duration of 01:14:17 minutes.
Artist: | The Fucking Champs |
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Release date: | 1997 |
Genre: | Rock, Indie Rock, Metal, Alternative |
Tracks: | 25 |
Duration: | 01:14:17 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Andres Segovia Interests Me | 3:46 |
2. | Valkyrie Is Dying | 3:28 |
3. | Don the Atmosphere | 1:09 |
4. | Heart to Heart | 2:32 |
5. | The Trees | 3:18 |
6. | Silent Night, Friendly Night | 1:15 |
7. | Some Words | 3:51 |
8. | Lee Tom | 2:45 |
9. | Now Is the Winter of Our Discoteque | 2:18 |
10. | You're Feelings | 0:57 |
11. | Dale Bozzio | 3:44 |
12. | Sad Segovia | 2:56 |
13. | Amanda | 4:04 |
14. | 84 | 1:21 |
15. | Flawless Victory | 7:30 |
16. | The Golden Pipes Trilogy: 1. The Golden Pipes | 4:42 |
17. | The Golden Pipes Trilogy: 2. On Seas of Sorrow Sail Death's Ships | 3:01 |
18. | The Golden Pipes Trilogy: 3. Starlight On the Barrow Downs | 1:45 |
19. | Some Swords Reprise | 2:12 |
20. | Rom | 4:46 |
21. | Atop the Pyramid That Is You | 1:20 |
22. | Guns In Our Schools | 2:43 |
23. | Tonight, We Ride | 2:47 |
24. | The Tennis Book | 3:34 |
25. | You've Got a Thirst, Portland | 2:33 |
Details
[Edit]Though Phil Manley had yet to join the band, by their third album the Fucking Champs were already beginning to explore the kind of electronic-tinged, Krautrock-inspired topography that Manly had been charting with Trans Am — though you wouldn’t know it from the opening cut “Andres Segovia Interests Me” where the San Francisco trio grapples the listener with hawk-like talons before dropping them off smack-dab in the middle of a colossal, heavy-metal solo influenced by Iron Maiden’s eponymous 1980 debut. “Don the Atmosphere” first dabbles with Kraftwerkesque synths, layering cold soundscapes on top of each other to aurally approximate Superman’s icy fortress of solitude before “Heart to Heart” takes on vintage electronic music reminiscent of the pulsing analogue waves found on early-‘70s Popul Vuh recordings. They shift sonic tectonics in “The Trees,” unleashing thrash-metal that boils and blisters with raw distorted riffs and thunderous drumming. Glacial synthesizers and soaring guitarmonies collide on “Dale Bozzio,” a tribute to the singer of Missing Persons where drummer Tim Soete makes a rare vocal appearance.