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Lost In the 80's (Bonus Track Version)

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Download links and information about Lost In the 80's (Bonus Track Version) by The Lost Fingers. This album was released in 2009 and it belongs to Jazz, Rock, Pop, Alternative genres. It contains 14 tracks with total duration of 55:50 minutes.

Artist: The Lost Fingers
Release date: 2009
Genre: Jazz, Rock, Pop, Alternative
Tracks: 14
Duration: 55:50
Buy on iTunes $9.99

Tracks

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No. Title Length
1. Pump Up the Jam 3:48
2. You Give Love a Bad Name 3:51
3. You Shook Me All Night Long 3:09
4. Incognito 4:13
5. Touch Me (I Want Your Body) 3:41
6. Part-Time Lover 3:48
7. Fresh 4:08
8. Billie Jean 4:17
9. Careless Whisper 4:53
10. Tainted Love 3:31
11. Straight Up 4:05
12. Black Velvet 5:23
13. Joe Le Taxi 3:46
14. Belleville Rendez-Vous (Bonus Track) 3:17

Details

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One doesn't often get a chance to hear Gypsy jazz renditions of Paula Abdul songs, and many might think that's the sort of combination of music that shouldn't be heard in the first place. Listening to the Lost Fingers, however, it's easy to become a convert. The ensemble plays a basic style of manouche that bounces and rolls along in a fairly standard but well-played fashion. However, they then take "classic" (or otherwise) pieces from the '80s and renovate them into the form they want. There are basic traces of the original pieces in their chord progressions and their basic melodic lines, but the songs are transformed by the Lost Fingers' timbre, by their softer vocalizations, by the French tinges in their accents. Bon Jovi's "You Give Love a Bad Name" moves from anthemic stadium rock to a soft romp. The incomparable "Billie Jean" is kept nearly in its original mode, though it's turned acoustic. The darkness of "Tainted Love" stays, but is morphed into a dark café piece, verging on the circus aesthetic at times. Importantly, the interesting part of what the Lost Fingers do is not the novelty of covering pieces of pop culture, but instead in incorporating those pieces simply as songs from the larger pantheon of classic compositions, and using them as fodder for their own Gypsy jazz playing. It can be a little disconcerting at times, but it's a fine album for both nostalgia and for contemporary Gypsy jazz fans.