Cover the Earth
Download links and information about Cover the Earth by The Meatmen. This album was released in 2009 and it belongs to Gospel, Rock, Punk, Alternative genres. It contains 24 tracks with total duration of 01:04:02 minutes.
Artist: | The Meatmen |
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Release date: | 2009 |
Genre: | Gospel, Rock, Punk, Alternative |
Tracks: | 24 |
Duration: | 01:04:02 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Meatman | 2:46 |
2. | Bad Reputation | 2:50 |
3. | Loner With a Boner | 0:51 |
4. | I Slept In an Arcade | 2:08 |
5. | Motorbikin' | 2:57 |
6. | Me 262 | 4:51 |
7. | Epitaph for a Head | 2:24 |
8. | Highest Power | 1:51 |
9. | Big Bad John | 2:43 |
10. | Freeway Mad | 1:34 |
11. | Sex Machine | 3:44 |
12. | Don't Shake Me Lucifer | 2:41 |
13. | Vibrator | 2:45 |
14. | Sex Mart 2010 | 2:24 |
15. | Psychedelic Shack | 3:18 |
16. | I Love Livin' In the City | 1:51 |
17. | Worst Band In the World | 2:36 |
18. | Downward Christian Soldiers | 2:42 |
19. | Slum Goddess | 3:38 |
20. | I'm a Bug | 1:03 |
21. | The Snake | 2:50 |
22. | One Track Mind | 2:28 |
23. | So Long | 3:31 |
24. | We Didn't Kill Each Other (But Didn't We Try) | 3:36 |
Details
[Edit]To say that the Meatmen reunited after 12 years to make Cover the Earth is only to say that singer Tesco Vee put together a new backing band to perform under the group name. Recording a covers album is a way for him to pay tribute to his musical mentors, many of whom were to be expected. G.G. Allin ("Highest Power"), Roky Erickson ("Don't Shake Me Lucifer"), and the Fugs ("Slum Goddess") are all Vee's spiritual brothers, and he performs their songs with affectionate accuracy. Among the many punk and metal selections are a few outliers, notably Jimmy Dean's "Big Bad John," the Temptations' "Psychedelic Shack," and ABBA's "So Long." But they only serve to broaden the humor of the set. Vee's pseudonymous colleagues on guitar, bass, and drums are surprisingly competent, and the frontman himself is assured. He may not be a great singer, but for the most part he is re-creating the work of other marginal vocalists here, so that knowing the words, keeping on the beat, and singing with conviction get him over his technical limitations, making this an enjoyable romp, at least for those who don't demand that their humor be entirely tasteful.