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Rejoicing With the Light

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Download links and information about Rejoicing With the Light by The Muhal Richard Abrams Orchestra. This album was released in 1983 and it belongs to Jazz, Avant Garde Jazz genres. It contains 5 tracks with total duration of 41:31 minutes.

Artist: The Muhal Richard Abrams Orchestra
Release date: 1983
Genre: Jazz, Avant Garde Jazz
Tracks: 5
Duration: 41:31
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Tracks

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No. Title Length
1. Heart Is Love and "i Am" (featuring Jean - Paul Bourelly, Warren Smith, Howard Johnson, Muhal Richard Abrams, Baikida Carroll, Craig Harris, Andrew Cyrille, Marty Ehrlich, Vincent Chancey, Eugene Ghee, Patience Higgins, John Purcell, Rick Rozie, Abdul Wadud) 10:28
2. Blessed Be the Heavens At 12 (featuring Jean - Paul Bourelly, Warren Smith, Howard Johnson, Muhal Richard Abrams, Baikida Carroll, Craig Harris, Andrew Cyrille, Marty Ehrlich, Vincent Chancey, Eugene Ghee, Patience Higgins, John Purcell, Rick Rozie, Abdul Wadud) 9:40
3. Bloodline (featuring Jean - Paul Bourelly, Warren Smith, Howard Johnson, Muhal Richard Abrams, Baikida Carroll, Craig Harris, Andrew Cyrille, Marty Ehrlich, Vincent Chancey, Eugene Ghee, Patience Higgins, John Purcell, Rick Rozie, Abdul Wadud) 7:57
4. Rejoicing With the Light (featuring Jean - Paul Bourelly, Warren Smith, Howard Johnson, Muhal Richard Abrams, Baikida Carroll, Craig Harris, Andrew Cyrille, Marty Ehrlich, Vincent Chancey, Eugene Ghee, Patience Higgins, John Purcell, Rick Rozie, Abdul Wadud) 8:48
5. Spiral to Clarity (featuring Jean - Paul Bourelly, Warren Smith, Howard Johnson, Muhal Richard Abrams, Baikida Carroll, Craig Harris, Andrew Cyrille, Marty Ehrlich, Vincent Chancey, Eugene Ghee, Patience Higgins, John Purcell, Rick Rozie, Abdul Wadud) 4:38

Details

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Muhal Richard Abrams blended vintage and progressive sensibilities on this outstanding 1984 session. It was a large band outing, and Abrams assembled many of the finest active improvisers. His orchestra did not include just saxophones and trumpets, but also French horns, bass clarinets, cello, guitar, vibes, and timpani. This assured Abrams a varied, rich sound with multiple options. He led the orchestra through pieces that were sometimes introspective and other times jubilant and swinging, but never simple or predictable. This session was a challenging, instructive, and entertaining lesson in modern big band writing, arranging and performing.