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In Rolling Waves (Deluxe Version)

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Download links and information about In Rolling Waves (Deluxe Version) by The Naked And Famous. This album was released in 2014 and it belongs to Electronica, Rock, Alternative genres. It contains 25 tracks with total duration of 02:03:31 minutes.

Artist: The Naked And Famous
Release date: 2014
Genre: Electronica, Rock, Alternative
Tracks: 25
Duration: 02:03:31
Buy on iTunes $14.99

Tracks

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No. Title Length
1. A Stillness 5:21
2. Hearts Like Ours 4:32
3. Waltz 5:12
4. Rolling Waves 3:38
5. The Mess 4:06
6. Grow Old 6:35
7. Golden Girl 2:11
8. I Kill Giants 4:12
9. What We Want 4:19
10. We Are Leaving 4:38
11. To Move With Purpose 5:02
12. A Small Reunion 5:44
13. Hearts Like Ours (Sombear Vs The Naked And Famous) 4:11
14. I Kill Giants (Big Black Delta Remix) 4:09
15. Waltz (The Sight Below Remix) 6:21
16. Hearts Like Ours (The Drunken Apaches Remix) 6:50
17. Rolling Waves (featuring Strange Babes) 4:06
18. A Stillness (Ducky Remix) 5:04
19. Hearts Like Ours (Sombear Remix) 4:53
20. What We Want (featuring The Chain Gang Of 1974) 4:15
21. I Kill Giants (Kele Remix) 7:13
22. Hearts Like Ours (MS MR Remix) 5:31
23. What We Want (Maya Postepski Remix) 5:23
24. A Small Reunion (featuring Space Above) 5:03
25. Following Morning 5:02

Details

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New Zealand's the Naked and Famous made a big neon-colored splash in 2010 with their full-length debut album, Passive Me Aggressive You. That album showcased the group's catchy, dance-oriented sound that mixed gigantic analog synths with the group's dual male/female lead vocals from guitarist Thom Powers and keyboardist Alisa Xayalith. The group's 2013 sophomore effort, In Rolling Waves, still features Powers and Xayalith, but finds the band experimenting with a more moody, somewhat serious tone that makes room for some welcome acoustic guitar. Part of this move toward a more organic sound was purportedly due to the bandmembers' desire to record an album they could more easily play live. Which isn't to say the keyboards are gone. On the contrary, there are still plenty of fuzzy, old-school synthesizers all over the album. The acoustic moments simply add yet another tonal color to the band's palette, which is clearly expanding. Working with engineer Billy Bush, Powers and keyboardist Aaron Short took on the production duties, as did Justin Meldal-Johnsen (Beck, Paramore), who lent his sophisticated, pop-oriented ears to two tracks. One of those tracks, "I Kill Giants," is particularly epic in proportion and cinematic in its emotional momentum. In minor contrast to the band's previous effort, the moments of pared-down instrumentation here seem to offer a necessary respite from the intensity, providing necessary moments of calm as we anticipate the next joyous sonic wave. [An LP version was also released.]