Ectoplasm (1948-1949)
Download links and information about Ectoplasm (1948-1949) by The Raymond Scott Quintet. This album was released in 2008 and it belongs to Jazz, Pop genres. It contains 34 tracks with total duration of 01:04:07 minutes.
Artist: | The Raymond Scott Quintet |
---|---|
Release date: | 2008 |
Genre: | Jazz, Pop |
Tracks: | 34 |
Duration: | 01:04:07 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Good Listening (Intro) | 0:30 |
2. | Moonlight On the Ganges (Instrumental) | 1:52 |
3. | Street Corner In Paris | 2:29 |
4. | Bird Life In the Bronx | 2:37 |
5. | Blue Skies | 1:19 |
6. | Who? | 1:57 |
7. | You're the Cream In My Coffee | 1:19 |
8. | Curley Cue | 2:27 |
9. | By Heck | 1:31 |
10. | Honeysuckle Rose | 1:40 |
11. | Dedicatory Piece to the Crew and Passengers of the First Experimental Rocket Express to the Moon | 2:59 |
12. | I've Got My Love to Keep Me Warm | 1:30 |
13. | Snake Woman | 3:18 |
14. | Moonlight On the Ganges (Vocal) | 1:58 |
15. | Where or When | 1:50 |
16. | I'll See You In My Dreams | 1:19 |
17. | Smoke Gets In Your Eyes | 1:25 |
18. | Humoresque | 1:45 |
19. | Sometimes I'm Happy | 1:40 |
20. | Song of India | 2:17 |
21. | Good Listening (Intermission) | 1:18 |
22. | The Penguin | 1:48 |
23. | Ectoplasm | 2:17 |
24. | Little Girl | 1:18 |
25. | How High the Moon | 1:16 |
26. | Somebody Loves Me | 1:16 |
27. | Curley Cue (Alternate) | 2:12 |
28. | Strike Up the Band | 1:28 |
29. | Snake Woman (Alternate) | 3:07 |
30. | Three Little Words | 1:28 |
31. | Tiger Rag | 1:57 |
32. | Street Corner In Paris (Alternate) | 2:26 |
33. | Moonlight On the Ganges (Alternate) [Alternate] | 1:59 |
34. | Question Mark ("?") | 2:35 |
Details
[Edit]After allowing Raymond Scott fans to feast on his peak era of 1937-1939 with the grand Microphone Music, Basta returned five years later with Ectoplasm, which charts Scott's second Quintette (so spelled) during the years 1948-1949. Scott had led a big band during the World War II years, but narrowed his focus soon after its end. (Unlike the vast majority of big-band leaders, who downsized for purely economic reasons, Scott was also responding to popular interest in the work of his late-'30s quintet.) The new group sounded eerily familiar to the old, with only a few exceptions. This was a mature band, with a bit more elegance and refined manners — and, correspondingly, less focus on the careering novelties of his first Quintette. Scott was also sprinkling a few standards into his idiosyncratic repertoire, the rationale for such being a radio gig that provided music beds for a sponsored program. Finally, Scott had a vocalist, Dorothy Collins — not heard often on this collection — who sang some of those standards, and provided wordless accompaniment elsewhere, a true singing horn. (Although vocals are not what most would want to hear on a Raymond Scott compilation, she is a slightly greater talent than the liner notes state.) The Scott originals are similar to his older material, though less familiar since they weren't used in cartoons; the standards are always creatively arranged and intriguing versions of well-known tunes.