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Ectoplasm (1948-1949)

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Download links and information about Ectoplasm (1948-1949) by The Raymond Scott Quintet. This album was released in 2008 and it belongs to Jazz, Pop genres. It contains 34 tracks with total duration of 01:04:07 minutes.

Artist: The Raymond Scott Quintet
Release date: 2008
Genre: Jazz, Pop
Tracks: 34
Duration: 01:04:07
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Tracks

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No. Title Length
1. Good Listening (Intro) 0:30
2. Moonlight On the Ganges (Instrumental) 1:52
3. Street Corner In Paris 2:29
4. Bird Life In the Bronx 2:37
5. Blue Skies 1:19
6. Who? 1:57
7. You're the Cream In My Coffee 1:19
8. Curley Cue 2:27
9. By Heck 1:31
10. Honeysuckle Rose 1:40
11. Dedicatory Piece to the Crew and Passengers of the First Experimental Rocket Express to the Moon 2:59
12. I've Got My Love to Keep Me Warm 1:30
13. Snake Woman 3:18
14. Moonlight On the Ganges (Vocal) 1:58
15. Where or When 1:50
16. I'll See You In My Dreams 1:19
17. Smoke Gets In Your Eyes 1:25
18. Humoresque 1:45
19. Sometimes I'm Happy 1:40
20. Song of India 2:17
21. Good Listening (Intermission) 1:18
22. The Penguin 1:48
23. Ectoplasm 2:17
24. Little Girl 1:18
25. How High the Moon 1:16
26. Somebody Loves Me 1:16
27. Curley Cue (Alternate) 2:12
28. Strike Up the Band 1:28
29. Snake Woman (Alternate) 3:07
30. Three Little Words 1:28
31. Tiger Rag 1:57
32. Street Corner In Paris (Alternate) 2:26
33. Moonlight On the Ganges (Alternate) [Alternate] 1:59
34. Question Mark ("?") 2:35

Details

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After allowing Raymond Scott fans to feast on his peak era of 1937-1939 with the grand Microphone Music, Basta returned five years later with Ectoplasm, which charts Scott's second Quintette (so spelled) during the years 1948-1949. Scott had led a big band during the World War II years, but narrowed his focus soon after its end. (Unlike the vast majority of big-band leaders, who downsized for purely economic reasons, Scott was also responding to popular interest in the work of his late-'30s quintet.) The new group sounded eerily familiar to the old, with only a few exceptions. This was a mature band, with a bit more elegance and refined manners — and, correspondingly, less focus on the careering novelties of his first Quintette. Scott was also sprinkling a few standards into his idiosyncratic repertoire, the rationale for such being a radio gig that provided music beds for a sponsored program. Finally, Scott had a vocalist, Dorothy Collins — not heard often on this collection — who sang some of those standards, and provided wordless accompaniment elsewhere, a true singing horn. (Although vocals are not what most would want to hear on a Raymond Scott compilation, she is a slightly greater talent than the liner notes state.) The Scott originals are similar to his older material, though less familiar since they weren't used in cartoons; the standards are always creatively arranged and intriguing versions of well-known tunes.