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The Rubble Collection, Vol. 6 - The Clouds Have Groovy Faces

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Download links and information about The Rubble Collection, Vol. 6 - The Clouds Have Groovy Faces. This album was released in 1984 and it belongs to Rock genres. It contains 16 tracks with total duration of 49:40 minutes.

Release date: 1984
Genre: Rock
Tracks: 16
Duration: 49:40
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Tracks

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No. Title Length
1. Lovely People (The Fairytale) 3:37
2. Glasshouse Green Splinter Red (Kinsmen) 3:17
3. I Am So Blue (The Poets) 2:45
4. Anniversary of Love (ICE) 3:12
5. Shades of Orange (The End) 2:37
6. Tales of Flossie Fillet (Turquoise) 3:07
7. The Magic Bus (Pudding) 2:26
8. Neville Thumbcatch (The Attack) 3:02
9. Red Sky At Night (The Accent) 3:15
10. 8 1/2 Hours to Paradise (The Elastic Band) 3:59
11. Created By Clive (The Attack) 2:36
12. Suburban Early Morning Station (Two & A Half) 3:25
13. Peacefully Asleep (Life 'N' Soul) 3:49
14. I'll Cry With the Moon (The Poets) 2:55
15. Beggars Parade (Falling Leaves) 2:54
16. 20 (10 Tinkerbell's Fairydust) 2:44

Details

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Other than the fifth Rubble collection, The Electric Crayon Set, the following The Clouds Have Groovy Faces is considered the best of these compilations by enthusiasts of '60s freakbeat and psychedelic garage rock. More psych than freakbeat, this sixth volume opens with the wistfully trippy “Lovely People” by The Fairytale, a sing-along that blends Kinks-inspired harmonies with an Up with People vibe. The Poets’ “I Am So Blue” is a lovelorn breakup ballad with a percussion section that’s nearly as infectious as the catchy chorus. An obscure band that simply went by the name Pudding bestows what could be the definitive version of The Who’s “Magic Bus”—its version was mysteriously released nearly a year before The Who’s original. The Attack provides the outstanding cut “Neville Thumbcatch.” With a French horn punctuating lofty vocal harmonies, a fantastical spoken-word narrative in the verses, and a triumphant chorus that makes very little sense—this is English psychedelia at its most inventive. Rolling Stones bassist Bill Wyman cowrote and produced The End’s heady “Shades of Orange.”