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Deep In The Shade

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Download links and information about Deep In The Shade by The Steep Canyon Rangers. This album was released in 2009 and it belongs to Blues, Country, Songwriter/Lyricist genres. It contains 12 tracks with total duration of 34:35 minutes.

Artist: The Steep Canyon Rangers
Release date: 2009
Genre: Blues, Country, Songwriter/Lyricist
Tracks: 12
Duration: 34:35
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Tracks

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No. Title Length
1. Have Mercy 3:12
2. I Thought That She Loved Me 2:40
3. The Mountain's Gonna Sing 3:24
4. Turn Up The Bottle 2:49
5. Nowhere To Lay Low 3:37
6. Sylvie 2:33
7. There Ain't No Easy Street 2:26
8. Mourning Dove 2:32
9. I Must Be Somebody Else You've Known 2:50
10. Shades Of Gray 2:37
11. Heartbreak Is Real 3:10
12. Hollerin' House 2:45

Details

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The Steep Canyon Rangers continue their upward arch with Deep in the Shade another collection of mostly original tunes that blend contemporary bluegrass stylings with folk, gospel, and old-time, hardcore country music. Their playing has always been exemplary, but they've always concentrated on the song itself, with minimal solos, although every member can shred with the best of 'em. Graham Sharp and Charles Humphrey III are developing into first-class tunesmiths, and several songs here could be big commercial hits in the hands of some mainstream country artist. Humphrey's "I Thought That She Loved Me" is a country-boy-meets-city-girl lament, but the lyric has a bit of arch humor usually missing in songs of this kind. The tongue-twisting chorus and the interplay between Mike Guggino's mandolin and Nicky Sanders' fiddle add to the song's playful feel. Sharp's "Heartbreak Is Real" is the kind of sad honky tonk song that George Jones cut his teeth on, a low-down lament given a jaunty rhythm complemented by the band's close harmonies and Sanders' crying fiddle. Humphrey's "Shades of Gray" is an old-fashion country song detailing the time in a marriage when everything is going wrong; the band's energetic playing complements Woody Platt's mournful lead vocal. Hard times are the subject of Sharp's "Turn Up the Bottle," an energetic drinking song, and "Nowhere to Lay Low," a lament with an ancient-mountain feel and an apocalyptic chorus. The covers include a bluegrass revamping of Merle Haggard's love-'em-and-leave-'em classic "I Must Be Somebody Else You've Known" delivered with a bit of tongue in cheek humor, and a mournful a cappella reading of the Leadbelly/Weavers classic prison song "Sylvie," the vocals drenched with rich, Southern Baptist church harmonies. ~ j. poet, Rovi