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Maximum Overdrive

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Download links and information about Maximum Overdrive by The Streetwalkin' Cheetahs. This album was released in 2003 and it belongs to Rock, Punk, Alternative genres. It contains 18 tracks with total duration of 49:16 minutes.

Artist: The Streetwalkin' Cheetahs
Release date: 2003
Genre: Rock, Punk, Alternative
Tracks: 18
Duration: 49:16
Buy on iTunes $9.99

Tracks

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No. Title Length
1. Do the Pop 2:31
2. None of Your Business 1:57
3. What's Coming to Me 1:59
4. Freak Out Man 2:00
5. Little Tokyo 3:03
6. All I Want 3:07
7. Thought That Crosses My Mind 2:30
8. Turn Me Down 2:57
9. Peppermint 3:22
10. More Fun 2:03
11. Built for Speed 6:15
12. Faster & Louder 2:54
13. Disease 1:58
14. Cherry Bomb 2:13
15. Burn Silver Lake Burn 2:26
16. Ain't Nothing to Do 3:11
17. Gettin' Sick 2:34
18. F**k No 2:16

Details

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A reordered expansion and re-release of the Streetwalkin' Cheetahs' first album, 1997's Overdrive, Maximum Overdrive handily outstrips its earlier incarnation as a blast of trashy garage punk with a definite nod to the old school. This can be seen as much through their covers and collaborations as their own tracks. Among the previously single-only cuts that now appear on this version are both sides of their Radio Birdman remake single ("Do the Pop" and "More Fun") with Deniz Tek himself, as well as a cover of the Runaways' "Cherry Bomb" with Cherie Currie taking lead vocals. Then there's the pretty damn good cover of the Dictators' "Faster and Louder," the Dead Boys' "Ain't Nothin to Do," and so forth — about the only thing missing would be a vintage 1975-era smudgy photo from the Creem archives. Overdriven soloing on "Freak Out Man" and general frenetic mania on "Turn Me Down" don't go wrong, while another welcome "new" number is "Burn Silver Lake Burn," a middle finger to L.A.'s rock scenester suburb central of recent years. Bandleader Frank Meyer has a by turns thoughtful, hilarious, and a little self-righteous essay printed (the latter mostly for his somewhat overdone attempt to claim being the first among the neo-garage revivalists of recent years — something that might work if the genre wasn't being constantly revived anyway). At the same time, he's humble when he doesn't need to be when talking about the more poppy moments like the sparkling "All I Want" and "Peppermint," the latter of which could almost be a Nirvana parody projected a little bit backward in time and getting away with it.